Bowling For Soup & Less Than Jake: Back For The Attack Tour
Brooklyn Bowl Nashville
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Bowling for Soup
Less Than Jake
This is more about the departures in our personal lives: family, friends, relationships. We’ve never really explored that side. With this record, we tried to pull back that curtain. We’re showing some fragility in a time when people seem so hardened.“We’re not looking for silver linings,” he clarifies. “The record is about appreciating them. Nobody appreciates them until maybe it’s too late or maybe it’s after the fact.”Don’t worry. The phrase “woe is we” isn’t in the LTJ lexicon. “King Of The Downside” is the best self-affirmation track we can learn from. “Monkey Wrench Myself” could either mean fixing one’s self or hammering said tool repeatedly into your noggin just because you can. (“Gonna do what you told me not to/I’m gonna get myself through.") “Bill” is a loving, full-throttled tribute to legendary drummer/producer Bill Stevenson. As a member of crucial punk outfits Black Flag, Descendents and ALL, he helped blaze the trails driven on by every aggregate describing themselves with a “-punk” suffix. LTJ know this and have acted accordingly. And if you’ve been paying attention, you already know that “So Much Less” features Wasilewski’s first ever sax solo on an LTJ record.What else do you need to know about Less Than Jake in 2020? The band would tell you quite unpretentiously that they are here to bring a good time. Of course, LTJ would’ve said the exact same thing back in ’97, 2006, 2011 or 2018 when the Warped Tour’s punk ‘n’ roll roadshow was coming to an end. What makes things different now? Why, nothing less than a divided nation and a dangerous pandemic. Consider Less Than Jake the first responders when your psyche doesn’t think it wants to continue. Because we do need all the joy and levity a seasoned ska-punk band can dish out. The reality that LTJ are also feeling reminds us that some kind of triumph is within our reach.“We hope that the record transports you,” Wasilewski resigns. “We’ve always hoped our music takes listeners from the troubles of the world. Nowadays, that very act seems to be more important. Once you turn your phone and your TV off and venture outside with a mask, and actually talk to someone else, you realize that the world is not the worst place ever. We hope the takeaway from this album is that there is always a light at the end of the tunnel. It’s not that hard—it’s just easier to be downtrodden.”In 2020, there’s no “scene,” merely good times and worse ones. For Less Than Jake to call their new album anything else but Silver Linings? Well, that would be fronting.
There was a brief moment when recording Exercise Your Demons that things didn’t seem great for CLIFFDIVER. The Tulsa, OK seven-piece – lead vocalists Joey Duffy and Briana Wright, guitarists/vocalists Matt Ehler and Gilbert Erickson, bassist Tyler Rogers, saxophonist Dony Nickles and drummer Eliot Cooper – were having a great session with producer Seth Henderson, as they had on 2018’s At Your Own Risk EP at Always Be Genius studios in Indiana. And then their lodgings fell through. But instead of worrying about where to stay and what to do, the band simply resorted to their favorite non-musical activity.
“It was a real low point,” remembers Wright, “but the guys were just playing disc golf. I was sitting there stressing, like ‘How can they play disc golf?!’, but I realized that that’s really fucking it, isn’t it? That yeah, this sucks, and it’s never going to be okay, but I’m going to be okay because I’ve decided I’m going to be okay. It’s resilience – and if you own your shit, it’s painful, but no-one can take that from you. That’s why the record’s called Exercise Your Demons, because while you may not be able to exorcise them and get them out of your life, you can train them and get them under control.”
That’s the attitude at the core of this album, and one embedded deeply into its nine genre-defying (but also unashamedly emo) songs. The follow-up to the band’s first two EPs – 2018’s Small Hours and the following year’s At Your Own Risk – Exercise Your Demons picks up where those EPs left off, building off the band’s homegrown success which has seen them share stages with K. Flay in Tulsa and the likes of Hot Water Music, The Wonder Years, Spanish Love Songs and more at last year’s iteration of Fest, get airplay on Tulsa’s esteemed radio station 104.5 The Edge and sign with SideOneDummy. But it also flings the door wide open musically, making this debut fell-length quintessential CLIFFDIVER.
“This is the first recording that really captures us,” says Duffy. “It was a cool opportunity to change, reinvent and just get weird with it.”
“We definitely haven’t painted ourselves into a corner musically,” says Wright, “but we also wanted to establish that we’re an authority on emo – especially for me, from a representative standpoint.”
That representation is at the heart of CLIFFDIVER’s identity, matched only by the band’s intentionality. Already known on the Tulsa scene as a soul singer, Wright was asked to join CLIFFDIVER permanently after featuring on 2020’s single “Gas City”. One of many reasons for that decision is what her joining the band signified. They realized they could plug a representational gap.
“I’d always thought I couldn’t make the music I like because my voice wouldn’t work,” she says. “I’m also a girl, a big girl, a black girl, a mom, and someone in their 30s. But I stopped judging myself by those metrics. When we were recording “Gas City”, they asked why I hadn’t ever been in a band and I explained that my voice is different, and that that’s intimidating for me and it might be intimidating for people to listen to. So a big part of me joining CLIFFDIVER and the rebirth of the band is off the back of that representation and being intentional about what people are taking in and what we’re putting out there.”
“Bri and I also aren’t your prototypical people fronting a band,” adds Duffy, who is 34 and a father. “We’re not Machine Gun Kelly – I’m just your dad’s friend.”
Another major part of Exercise Your Demons is how unflinching it is when addressing mental health issues. Both Duffy and Wright have survived suicide attempts in the past, and they want this record to offer hope and strength – if not a literal lifeline – to anyone who hears it. It is, by its very existence, a testament to what happens if you don’t let your demons win.
“Neither of us should be here,” admits Duffy, who was diagnosed as bi-polar at 25, and who recently celebrated nine months of sobriety, “but we are here. We know what it’s like to be alone with the thought that the world would be better without you and we’re proof that it can get better. You won’t wake up one day and not be struggling, but I went from having a gun in my mouth at 24 to being here at 34 about to put my first album out. So I get to say: ‘Listen, I know how bad it sucks and it’s going to suck again, but you have what it takes to keep going.’ That’s the whole message – that you, too, are resilient. The things that were breaking you a year ago aren’t breaking you now.”
That message is borne out through the narrative of these nine songs. A profound exploration of grief that takes place over a hedonistic weekend, the concept of Exercise Your Demons was initially inspired by a recurring nightmare Duffy had in which an ex-fiancée of his who had taken her life was trying to convince him to do the same. He told Ehler about it, and the pair soon wrote what turned into “Death Is A Wedding”. Smack bang in the middle of the album – which was mastered by Will Yip – that song is a bleak blast of poppy post-hardcore/emo which sees Duffy’s late ex resurrected through Wright’s stunning and wondrous vocals. The tracks on either side of the song take you through that hedonistic weekend, and the various stages of grief, as well as every type of emo – a barrage of what the band accurately term ‘new nostalgia.’
Opener “New Vegas Bomb” is a frenetic explosion of not-so-youthful exuberance filtered through noodling guitars, chugging riffs and joyous horns, before “Who Let The Hawgz Out?” soundtracks an abjectly dark night of soul with a burst of vital musical energy. Elsewhere “We Saw The Same Sunset” is a beautiful, hushed lament wrapped in existential despair that runs into “Death Is A Wedding”. But then there’s a shift in attitude with the uplifting “Super Saiyin Al Pacino” and, later, the introspective relief of “I Left My Heart At Lemon Lake”, whose soaring melody soundtracks the lifting of the darkest darkness. It all ends with “IKEA Strikes Back”, which focuses on Duffy’s joy at being a father while also capturing the purpose of this album.
“Because we have this talented group of musicians around us,” says Duffy, “we’re able to trick people into talking about their mental health without them at first noticing what we’re doing. And I get to show my son that, no matter how life kicks the shit out of you to where you think there’s no hope, there is a ‘but’, there is hope and redemption, even for a burnt-out, used-up party kid like me. I’m looking forward to a future that I’m building that wouldn’t be here were it not for CLIFFDIVER.”
“That’s our mission statement for the band,” agrees Wright. “We feel that responsibility as people who have been there. So we’ll sit in the mud with you and talk about it, and we hope our little bit of courage can explode to something that’s bigger than us. Because it’s not about us, it’s about what we’re talking about and the connection that we call the fabric, because it creates strength. We’re just trying to make a bigger net to catch more people.”