Dayseeker: Dark Sun Tour
POLARIS - RAIN CITY DRIVE - AVOID
Brooklyn Bowl Las Vegas
The Linq Promenade
Las Vegas, NV
All support acts are subject to change without notice.
ALL SALES ARE FINAL. NO REFUNDS OR EXCHANGES
Tickets purchased in person, subject to $2.00 processing charge (in addition to cc fee, if applicable). All general admission tickets are standing room only.
ALL TICKET PRICES ARE SUBJECT NEVADA'S 9% LIVE ENTERTAINMENT TAX
*Advertised times are for doors -- show time not available*
Free Local Parking - Residents of Clark County who purchased a ticket will receive free parking the night of the show at any Caesars Self-Parking locations. The Parking Validation Machine is located inside the Retail Store of Brooklyn Bowl. .
Dayseeker is a 4-piece Rock/Metal band from Southern California formed in 2012. They are signed with Spinefarm Records, a subsidiary of Universal Music Group. On December 15, 2016, the band announced their departure from InVogue Records and that they had signed with Spinefarm Records. Shortly after, they announced a US tour with headliner Silent Planet, along with Ghost Key and Hail the Sun, which began in February 2017. A year after the release of Origin, Dayseeker announced a new full-length album set to release in 2017. The album, Dreaming Is Sinking / Waking Is Rising, was released by Spinefarm on July 14, 2017.
Since the release of Dreaming Is Sinking / Waking Is Rising the band has been touring relentlessly countrywide and building a strong profile. The record sold just shy of 2,000 copies in their first week, earning them some impressive debut charting positions amongst hard rock and new artists. In Summer 2017, they embarked on a tour with The Color Morale and The Plot In You. Followed by that tour, they supported a tour with Oceans Ate Alaska and with Ice Nine Kills to close out their year.
Spinefarm will be releasing a deluxe version of Dreaming Is Sinking / Waking Is Rising in 2018 featuring some stripped down versions of a few tracks and an additional cover track. Catch Dayseeker this summer performing on the Mutant stage on the Vans Warped Tour.
Fear: humanity’s great divider, but also its most potent unifier. It’s this very notion that lies at the beating core of Polaris’s third album Fatalism; a record shaped by the sense of despair and dystopia that engulfed the world over the past few years, and the overwhelming accompanying sensation that we were powerless to change course. Equally steeped in angst and catharsis, an expanded thematic gaze and heavier sonic terrain, Fatalism organically builds on the bleak imagery and hard-hitting soundscapes permeating Polaris’s ARIA Award-nominated 2020 release The Death of Me, galvanizing the Sydney five-piece’s trademark blend of melodic metalcore, lush post rock, electronic flourishes and beyond. Across 11 tracks, Fatalism wields emphatic relatability and explosive arrangements, from its atmospheric, doom-laden opener Harbinger to the foreboding anthem Nightmare and the pummeling delights of The Crossfire, both dealing in elasticated riffs and the coruscating vocals of Jamie Hails. As a whole, Fatalism casts its gaze more outwardly than its 2020 predecessor The Death Of Me, by contrast a largely introspective record. And while strictly not a pandemic album, it was impossible not to be impacted and influenced by the events surrounding its making. The result is an album that combines Polaris’s trademark melange of ferocity and melody with new sonic twists and a lyrical focus that, while far from easy listening, is as cathartic for the listener as it is the grou
Rain City Drive
“This band is so much bigger than ourselves. That's the giant mission statement of AVOID - to remind people that life is fun and you’re going to be okay. It’s not about making decisions to make a buck. It’s making the decision to not give a fuck. We’re going to take over the world, all of us - and have fucking fun doing it.” - Benny Scholl Engaging, edgy, erratic, irreverent, wild, vibrant, fun… There's certainly no shortage of adjectives to describe AVOID and their quest to fuel that feeling of being a part of something. Evoking a nostalgia for the kind of music that seeps into your soul, the Seattle five piece channel the musical legacy synonymous with their hometown while blissfully genre hopping to create something entirely new. Good times with a message of inclusivity, with a drive to bring passion, innovation and provocation back to heavy music and pull in the community around it, AVOID crackle with the energy of a young act ready to take the world by storm. Carving his own path hustling promoting shows and managing bands, the band’s inimitable future frontman Benny Scholl knew early on the dedication it would take to be successful in the music business. Meeting impressive guitarist Nick Olson, he turned his hand to playing music, deciding he would be unlike any other frontman he had seen, and on enlisting Chris Echols (guitar), Luke Ryder (bass), Paul Jaton (drums) some of the top talent in the local scene became AVOID, releasing their debut album Alone in 2018. While the world fell silent in 2020, the band seized the moment to make noise with the release of their attention-grabbing EP The Burner - and it got LOUD. Securing a sponsorship with NASCAR which turned their passion into promotion, they had their music and band branded vehicle in the official video game. Singer Benny Scholl went viral with his accidentally acapella rendition of the National Anthem at the NASCAR Vegas race, endearing himself to sports commentator Jim Rome who ran with coverage of the event for weeks. They also forged a long term partnership with SiriusXM, taking over the airwaves on Octane and Liquid Metal with ambassador single “Song About James”, which incorporated their lyrical muse James “Jeopardy James” Holtzhauer in its marketing. With new tracks “My World”, “COWABUNGA” and “Split (Kill It)” setting the tone for a new era for the band, and their live show reputation building more buzz daily, AVOID are ready to spread their brand of infectious hedonism that injects some magic into the mundane. Bringing twists on the art, and the media and methods of the 90s/00s into the modern day, this is the something new that we have all been craving. This is the start of something important, something defining - and AVOID are bringing everyone along for the ride. Hold on tight, it’s about to get weird.