Brooklyn Bowl Las Vegas
The Linq 3545 S Las Vegas Blvd
Las Vegas, NV
$23.00 General Admission,
$25.00 General Admission (week of show)
$28.00 General Admission (day of show)
Please note this show is requiring all fans to provide proof of a negative COVID-19 test within 72 hours of the event OR full vaccination for entry.
All fans must have received a negative COVID-19 diagnostic test within 72-hours before entry to the facility and provide printed proof of a negative result prior to entering the venue. Or, be fully vaccinated against COVID-19 (at least two weeks after final dose) and provide proof of vaccination - either the original vaccination card or a printed copy of the vaccination card.
At home tests will not be accepted for entry.
Clark County, the Southern Nevada Health District, and Nevada National Guard are offering free drive-thru COVID-19 testing and vaccination services at UNLV Stan Fulton Parking Lot, 801 E. Flamingo Road (off Paradise Road). For more information on testing locations, please visit this link here: https://www.clarkcountynv.gov/top_services/covid19/testing_locations.php
There will be no refunds for tickets purchased, due to specific venue covid-19 protocol. If you receive a positive test before the show, please reach out to firstname.lastname@example.org and we will help facilitate a full refund.
All guests must have a valid government/state issued ID for entry to the venue. No refunds.
Tickets purchased in person, subject to $2.00 processing charge (in addition to cc fee, if applicable).
All general admission tickets are standing room only.
ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX
Special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.
*Advertised times are for doors -- show time not available*
* Venue closes between 12am - 1am unless otherwise noted*- GA: $23 ADV, $25 WOS, $28 DOS
Omar Apollo is one of R&B's most exciting shape-shifters. As the 23-year-old singer/songwriter prepares his debut album, he's holding close to music that feels inventive, experimental, and true to his wide-ranging passion. R&B remains the foundation, but Apollo is branching out with a bilingual fusion of funk, pop, electronic, hip-hop, and more. He’s dreamt up intimate acoustic songs, psychedelic folk-rock reveries, and wild reinventions of pop’s past eras. For his first full-length, Apollo wanted space to dig into—if not outright invent—new sounds, and with his commanding vocal range and knack for memorable melodies, every experiment works.
“You can play all different types of music with the same instrument, so I just treated my voice like that,” says the young artist. “I don't want to have a classifiable ‘Omar-type beat’. We’re going everywhere with my music, tapping into R&B, reggaéton, and corridos—everything.”
The album has had a long, transformative journey. It first started coming together as his songs often do, with Apollo writing melodies while stuck at home in his Los Angeles apartment. He’d share ideas with his go-to producer, Carter Lang (SZA, Mac Miller, Post Malone), who happened to live down the street, but as the world slowly began opening up, he challenged himself to also include people and places outside of his usual bubble. Apollo left his room and visited others including iconic studios like New York’s Electric Lady and, in L.A., Westlake, Conway, and Henson.
“I’m as hungry and ambitious as when I started,” Apollo says plainly. “If not more.”
This creatively driven mindset has driven Apollo since he was growing up as a first-generation Mexican-American in Indiana. As a kid, he’d listen to the likes of Brandy, Musiq Soulchild, Prince, and Stevie Wonder, R&B songwriters who shaped his perspective—world-builders, yes, but vulnerable storytellers first. After plucking away at the guitar from age 11 onward, he began posting music to SoundCloud and YouTube once he turned 18, holding onto that inherited vision all along, making songs that feel intimate and authentic, but boundary-pushing too.
Apollo’s story as a professional musician began four years ago when a friend who believed in his talent let him borrow $30 to upload a song on Spotify. It turned out to be a blessing, as that track—the introspective, dreamy “Ugotme”—broke through. From there, he self-released a pair of EPs, Stereo (2018) and Friends (2019), that established his signature “bedroom soul,” and earned him love from fans and press (Pitchfork, Rolling Stone, and FADER, to name a few).
As unique as his sound is, Apollo has gotten just as much attention for his lyrics, where themes of romantic yearning and self-improvement swirl up with open expression of his cultural heritage and identity. Now, he’s leaning even more into all of it, making music that feels closer to his heart than ever. “This album is even more personal,” he says. “I’m just writing from experience.”
In 2020, he released his “quarantine project” Apolonio, which was solely recorded and produced in his bedroom. But as he finishes up his album, he’s dreaming bigger, exploring more sounds, pushing himself harder than he ever has before. He’s more self-assured now, and wants the rest of the world to catch up to what his fans have been seeing from the beginning “I used to be too hard on myself,” Apollo explains. “I thought I'm not built for this because I’m just a kid from Indiana. But that thought is gone now. I know what to do. Now everything just feels right.”