Saturday, September 10th, 2022

Modest Mouse

The Cribs

$49.50 - $164.50 Get Tickets
Doors: 6:00 PM / Show: 7:45 PM 18+ Years
Modest Mouse

Event Info

Venue Information:
Brooklyn Bowl Nashville
925 3rd Avenue North
Nashville, Tennessee 37201

In order to prevent scalper activity there is a delivery delay on everyone's tickets. You will receive an email from Ticketweb 72 hours prior to the showtime and you can pull up the tickets off your phone and scan them at the door.

This event is 18+, unless accompanied by a parent or legal guardian. Valid government-issued photo ID is required for entry. No refunds will be issued for failure to produce proper identification.

There are no COVID-19 vaccination or test requirements for this event. An inherent risk of exposure to COVID-19 exists in any public place where people are present. By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of COVID-19. 

This ticket is valid for standing room only, general admission. ADA accommodations are available day of show.

All support acts are subject to change without notice.

Any change in showtimes, COVID-19 protocols, and other important information will be relayed to ticket-buyers via email. 

Want to have the total VIP experience? Upgrade your ticket today by reserving a bowling lane or VIP Box by reaching out to nashvilleevents@brooklynbowl.com

ALL SALES ARE FINAL

Modest Mouse VIP Experience
Includes:

  • One GA ticket to Modest Mouse
  • One pre-show performance with Modest Mouse
  • One pre-show Q&A with Modest Mouse
  • One limited edition Modest Mouse signed print
  • One limited edition Modest Mouse tote bag
  • One exclusive Modest Mouse VIP laminate and lanyard
  • Priority entry into the venue
Purchasers will receive an email from StagePilot approximately 3-5 days before the performance date with instructions regarding the fulfillment of the VIP package items and additional details regarding day of show information. All VIP packages are NON-TRANSFERABLE; NO WILL CALL NAME CHANGES WILL BE PERMITTED UNDER ANY CIRCUMSTANCES. Non-VIP Package purchasers will not be allowed into any VIP activities or into the venue early. VIP package purchasers may be required to arrive at least 3-4 hours before show time. All pre-show programs and times may vary date-to-date and are subject to modification at any time for any reason. At StagePilot's discretion, VIP package merchandise will either be shipped directly to the address provided at purchase (alternate shipping addresses are not permitted) or available for pick-up the night of the show. If shipped, delivery of such merchandise may occur after the event date. Merchandise is not needed for entry to the show. Personal items may not be permitted into the pre-show performance to be signed by the artist. By purchasing a VIP package, you will not gain or be authorized access into any venue specific VIP or backstage areas. No parental escorts without their own package purchased will be permitted. Health and safety restrictions may change from time of purchase to the show date.  We will confirm any restrictions closer to the event date.

Artist Info

Modest Mouse

I hope there’s still something left for you.”Over the past quarter century, Modest Mouse frontmanIsaac Brock has served as indie rock’sresident backwoods philosopher, pondering his infinitesimalplace in the world at large andseeking balance in a universe governed by polar opposites.On Modest Mouse’s earliestrecords, he was surveying the changes in the world’sphysical landscape from the windows ofthe tour van, lamenting the displacement of naturalbeauty with big-box blights.The GoldenCasket,the band’s seventh-studio album,is exploringthe degradation of America’s psychiclandscape through the glass of the smartphone screen.Throughout the record, you’ll pick up onall sorts of references to cellular devices, hashtags,computers, texting, and online datingculture. But this is no typical Luddite’s manifestodecrying iPhone addiction, disinformationoverload, or how social media is destroying politicaldiscourse. The album is, however, veryinterested in the invisible technology that’s allowedall of that to happen: the cellular signals,radio frequencies, and WiFi waves that are likelybeaming through your body as you read this.“Everything is giving off a frequency,” Isaac observes.“Everything is vibrating whether you knowit or not. We're swimming in some crazy shit rightnow—it isn't visible, but it's real. I thinkeveryone's minds are getting a little scrambled rightnow. And I feel it every fucking day.”

That sensation finds its most vivid, visceral manifestationonThe Golden Casket’s stunningcenterpiece track, “Transmitting Receiving,” whereIsaac rifles through a never-ending list ofconsumer products, animals, and geographic phenomenalike an auctioneer being broadcastthrough a detuned radio, before a competing vocaltrack cuts through with a beaming chorusline—”nothing in this world’s going to petrify me”—thatfinds the serenity in cacophony. Many ofthese songs can likewise be seen as attempts to coaxpeace from paranoia. You can hear it inthe moment the apocalyptic blues of “Wooden Soldiers”dissolves into a blissfully existentialcoda mantra (”just being here now is enough for me”)that was inspired by the ceremonialburning of hallucogenic African tree bark, or in theoff-kilter yet heart-swelling lullaby “Lace YourShoes,” a.k.a. Isaac’s inaugural entry into the dad-corecanon. “When we started putting thisrecord together, I didn't know how to really singabout anything except my kids,” he admits. “Andso I was like, 'I should just write a fucking songabout the thing that is most important to me.’ It’sa weird thing to do, because cheap sentimentalityisn't really something I'm overly comfortablewith, you know?” However, in his hands, “Lace YourShoes” is no mere lovey-dovey ode to hislittle ones, but a protective embrace from the cruelworld they’ll inevitably inherit.

Even at its most urgent and aggressive,The GoldenCasketis always looking for the light, asIsaac couches the spiteful sentiments for the playful“Never Fuck a Spider on the Fly” whilesteering the seething post-punk propulsion of “JapaneseTree” into a blissfully escapist chorus.“That song was written over the course of a long time,”Isaac says, “so whoever I'm lashing outat in that song has been multiple different organizations,people, and situations. That’s the waya lot of the songs are: one way, it’s like this; andthen you change the perspective, it’s still thesame song, but with a different winner.” (Sometimes,however, a song about your friend freaking
 
out on acid is really just a song about your friend freaking out on acid, as the antsy albumopener “Fuck Your Acid Trip” attests.)

Whether Isaac is singing about electromagnetic waves,taking his kids for a walk, or trippingballs in the forest,The Golden Casketis ultimatelya plea for harmony—between nature andtechnology, between progress and self-preservation,between hope and healthy skepticism—ina world that has seemingly lost all sense of it. Butas much as it laments our modern way ofliving, it keeps the tinfoil stowed away in the kitchencabinet to highlight the silver linings of oursituation. On the album’s conjoined anthems—the drivingsingle “We Are Between” and itsdivine sequel ”We’re Lucky”—Isaac reaffirms his humblestanding on this here 3rd planet,floating somewhere between the seas and the stars,always trying to outrun his anxieties, buteternally grateful for the gift of existence itself.“We're very lucky to get to be here, on any trip,”he says. “Whatever this is and whatever we all are,it's kind of beautiful that we get to do it.”

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