Dayglow

Hovvdy

$25 - $35 Get Tickets UPGRADE TO VIP

Doors: 6:00 PM / Show: 8:00 PM All Ages

Event Info

Venue Information:
Brooklyn Bowl Nashville
925 3rd Avenue North
Nashville, Tennessee 37201

Because of the rise in cases due to the delta variant, a special COVID protocol is required for everyone that will be in attendance for Dayglow on 10/6/21 at Brooklyn Bowl Nashville. You, and anyone accompanying you in your party, are required to provide ONE of the following:

Proof of your vaccination record (vaccination card or picture of your card with a matching ID card), demonstrating you were fully vaccinated at least two weeks in advance of the day of show. OR proof of a negative COVID test, administered within 72 hours of the day of show, with matching ID card.

For information on free testing sites, please visit this link here: https://www.asafenashville.org/test-mask-resources/.

Brooklyn Bowl encourages mask wearing and encourages you to get vaccinated if you aren’t already!

By purchasing a ticket you are acknowledging you will be required to show proof of vaccination or negative test result. There will be no refunds for tickets purchased, due to specific venue covid-19 protocol. If you receive a positive test before the show, please reach out to nashvilleboxoffice@brooklynbowl.com and we will help facilitate a full refund.

If you have any questions or concerns, please reach out to us at nashvilleinfo@brooklynbowl.com.

To ensure you don't miss any of the show, please plan to arrive closer to doors to go through security and present your vaccination card or negative test. This process takes some time so please make sure you have your ID and Vaccination Card/Negative Results out and handy when going through security to expedite the process for all patrons.

Valid photo ID required at door for entry
This event is general admission standing room only

Doors: 6:00 PM
Show: 8:00 PM

Be sure to sign up for the Dayglow newsletter at www.dayglowband.com!

Dayglow VIP Storytellers Package
-One general admission ticket
-Early entry into the venue
-Intimate storytellers style Q&A session with Dayglow
-Custom Dayglow Harmony House button set
-Exclusive tour poster, autographed
-Official VIP laminate
-Limited availability

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable.

By visiting our establishment, you voluntarily assume all risks related to exposure to COVID-19.

Help keep each other healthy.

Artist Info

Dayglow

Picture it: A soft-focus shot of a bungalow on a leafy residential street. The single-storey house is painted robin’s egg blue and there’s a young man in a plaid suit standing outside the front door in his bare feet. He waves at the camera as the title appears across the lower third of the screen: Harmony House. It stars the lovable one-man-band Sloan Struble, and though you’ve never watched this TV show before, it feels comforting. With that wave, Struble invites you into his world—and his new album.

Struble, who records music as Dayglow, explains that his sophomore album began life as an imaginary sitcom. He’d begun writing new music after the release of his runaway 2018 debut Fuzzybrain, and found himself drawn to piano-driven soft rock from the late ‘70s and early ‘80s. He was also watching a lot of Cheers, the long-running sitcom that took the viewer to a place where, as the theme song goes, “everybody knows your name.” “At the very beginning, I was writing a soundtrack to a sitcom that doesn't exist,” he says. The music would generate a kind of impossible nostalgia for something that had never been real.

Much of Harmony House is about growing up and coping with change; after Fuzzybrain, he left university and decided to fully commit to being a musician. During this time he found a collection of poetry in his family’s house that had been a favorite of his great-grandmother’s. A line of verse there became a lyric on “December,” his favorite song on the album: “So my friend, just remember every year has a December.”

“Harmony House is about dealing with change and realizing that change is ok, that everything changes and it doesn’t have to be overwhelming,” Struble says. In a perfect coincidence, an inscription in the front of the book indicates that it was a gift to his great-grandmother from a friend. Now the song is a gift to listeners around the world who might need a reminder that change is a necessary part of life’s journey. Like the gifted book of poetry, “December”—and Harmony House as a whole—is an act of kindness.

Struble was born and raised in Texas, and wrote the first song he recorded for Harmony House, “Medicine,” while still in his dorm room. After Fuzzybrain, which he wrote mostly on guitar, he decided to write for piano. At 21, he’s now out of school, but as he did on his debut, he writes, produces, records, and mixes all of his music himself—in his bedroom, no less.

“I tried to compose these songs in a way that you could just sit down at a piano and play them,” he explains. “That’s the sign of a good song, when it can live on its own musically.”

That sort of sturdiness he strives for in his writing makes for timeless music, a quality Harmony House exudes. Even when he’s writing about the sometimes overwhelming experience of contemporary life as it’s lived both digitally and IRL, as he does on the opener “Something,” the melodies are welcoming. In fact, there’s a recurring melody introduced on that first track that appears on every subsequent song. You might not catch it on the first listen, but it’s there anyway, like a gentle hand on your shoulder.

Beyond reassurance, the album also encourages you to get up and dance with its single “Close to You,” Dayglow’s first single in over a year and the gateway to Harmony House. Indebted to ‘80s anthems about shy feelings of love, like Whitney Houston’s immortal “How Will I Know,” “Close to You” is like a duet between Struble and his feelings of self-doubt. But the synth’s propel him forward (and you to the dancefloor).

Harmony House is a finely calibrated, carefully fussed over expression of encouragement for anyone who needs it. The album ends with “Like Ivy,” a mellow return to the melodic theme introduced on the opening track that describes “growing up like ivy” and the mysterious passage of time. Struble’s boyish and gentle tenor explores its upper limits as he sings the big idea of Harmony House: “I’m learning to grow.” It’s a lesson that never ends.

Hovvdy

Hovvdy Photo.jpg

Last year, Charlie Martin impulsively wrote T-R-U-E L-O-V-E in all caps across the top of what would become the title track of his and Will Taylor’s fourth Hovvdy album. The on-the-nose instinct encapsulates the LP’s elemental look at relationships – familial, romantic, friendly – and that desire to capture them in a bottle. Since the creation of their last album, both Charlie and Will have married their partners. Will became a father.

A nod to their roots and a reach for more, True Love maturely embraces the best of the duo’s hyper-genuine, chin-up qualities developed over the past seven years. Charlie and Will first met at a baseball game while touring with other bands, both as drummers. Back home in Austin, the pair connected over shared sports-centric upbringings in Dallas and, most prominently, likeminded batches of solo songwriting. The interlocking tracks would become 2016 LP Taster, introducing a comforting sonic push-and-pull continued in the innate melodies of Cranberry (2018) and the propulsive storytelling of breakthrough Heavy Lifter (2019).

Fourth album True Love follows a surprisingly folksy and beautifully determined course, just hinting at the lo-fi layers of the Austin-based project’s DIY origins. Co-produced by the genre-morphing Andrew Sarlo (Nick Hakim, Big Thief, Bon Iver), the acoustically-driven, forward-looking songwriters’ statement stamps Hovvdy’s debut with Grand Jury Music.

Charlie and Will add: “This collection of songs feels to us like a return to form, writing and recording songs for ourselves and loved ones. Spending less energy consumed with how people may respond freed us up to put our efforts into creating an honest, heartfelt album.”

Throughout 2020, the band visited Sarlo’s small Los Angeles studio to put down their biggest-sounding record yet. Trusted guidance freed Charlie and Will to play to their strengths on essential elements – an upright piano, an acoustic guitar, a few keyboards. Songs harken to the duo’s Southern totems of Townes Van Zandt and Lucinda Williams, with longtime collaborator Ben Littlejohn adding pedal steel and dobro for subtle drawl. Will calls True Love “the other side of the coin” from past LP Heavy Lifter’s tweaked pop, reflecting instead on the sturdy strums of sophomore Cranberry.

“Sarlo heard things in our individual production styles that we might otherwise feel self-conscious about, but he would lean into them,” says Charlie. “We knew we could come in with a very stripped-down acoustic guitar song and it would end up being expansive and vast. I felt really confident in letting this record be as tender and beautiful as we could make it, knowing there would always be a layer of darkness in there.”

“Blindsided” embodies the bespoke Hovvdy balance. Charlie’s waltzing piano lines and classical bedding make way for punctuated vocal assurances. Will’s textured guitar downbeats also softly power syncopated storytelling on “Lake June.” Channeling the warmth of new fatherhood, he repeats “I love you so much” at the song’s center.

In the exuberant rush of title track “True Love,” Charlie references his old Cranberry-era song “Colorful” – a wizened callback to a growing catalog, forever morphing in hindsight. Shaking off any nostalgic haze, the new album’s immediate production places their detailed scenes surely in the present. There’s flashes of a magnolia tree, a Tom Thumb, a cross on a trailer. “Around Again” frets over the fleetingness: “Memory won’t let me take a picture / Turn to me and tell me you’ll remember.”

“It’s about resiliency and appreciating the little moments, even when the big picture

can be daunting,” says Will. “I’m proud of how we let the songs and the feeling of the record do the work for us. Even in somber moments, the joy behind the music is noticeable, and that’s what makes it special to me.”