Wednesday, December 22nd, 2021

Zoso - The Ultimate Led Zeppelin Experience

Gamblers

Doors: 6:00 PM / Show: 8:00 PM 21+ Years
Zoso - The Ultimate Led Zeppelin Experience

Event Info

Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY 11249
Valid photo ID required at door for entry

Doors: 6:00 PM
Show: 8:00 PM

In accordance with the New York City “Key to NYC” vaccination mandate, Brooklyn Bowl has updated its COVID-19 Policy, effective immediately:  

 

VACCINES

All guests must present a matching photo ID along with proof of vaccination in the form of:

Acceptable vaccines include:

   

Any guests, including ticket holders, unable to provide adequate proof of vaccination will not be granted entry into the venue.

 

MASKS

 

Guests under 12 are required to wear masks except while eating or drinking.

All guests are strongly encouraged to wear masks. 

 

All Brooklyn Bowl staff are fully vaccinated and must wear masks while inside the venue.

 

Our COVID-19 policies are subject to change at any time. Please refer to your show’s event page for show-specific vaccine and mask requirements, and continue to check prior to visiting Brooklyn Bowl.

 

The health of our guests, staff, and performers remains our highest priority, and we appreciate your understanding as we continue to navigate this continually-evolving situation.

Artist Info

Zoso - The Ultimate Led Zeppelin Experience

Zoso - The Ultimate Led Zeppelin Experience formed in 1995 to perform the most accurate and captivating Led Zeppelin live show since the real thing. For Zoso, it's much more than just being a tribute. It's about touching a golden era in music. Zoso embodies Page, Plant, Bonham and Jones in their spirit, tightly-wound talent and authenticity.

Each band member has been carefully selected to portray both the appearance and playing styles of their Led Zeppelin counterparts. In eighteen successful years of touring, they have perfected their art. As one of the longest tenured Zeppelin tributes, Zoso's 2400 live shows around the world, including slots at major festivals such as Bonnaroo and Rib America Fest, have established them as the most traveled and successful band in the market.

Gamblers

Hailing from the south-shore Long Island town of Massapequa, Gamblers have always been aware of the ever-looming influence of New York City, but they may as well be coming from another world. The band’s debut album Small World (released 9/25/20 via Symphonic) showcases the unique perspective one develops when viewing things as both an insider and an outsider. Singles from the album have received airplay on Sirius XM, NPR Music, and WFUV, while press outlets such as PopMatters and the band's hometown Newsday have praised the full body of work.

 

The week of release, Small World was a Top 5 added album into the NACC College Radio 200 chart, and shortly after soared to #12 on the Alternative Rock Submodern chart. After cutting his teeth touring with DIY alt-rock bands in high school, bandleader/producer Michael McManus spent practically every waking minute that he wasn’t in class holed up in his Hunter College dorm room crafting the unique hip hop production style that paved the way for collaborations with Meek Mill, Guilty Simpson, Rapsody and Heems, as well as musical contributions to Anthony Bourdain’s Parts Unknown and Viceland’s Gaycation.

 

With Gamblers, McManus marries the beatmaking sensibility of hip hop to the songcraft and jamming-in-a-room spirit of an indie rock band. Even in its brightest moments, Small World is replete with references to addiction, mental illness, corruption and violence, with cutting insights always lurking in the shadows between McManus’ seemingly innocuous wordplay. With one ear to the pulse of Long Island’s trash-strewn cultural landscape and the other focused on the human condition itself, McManus tucks his layers of meaning into lyrics that on first glance appear rather straightforward. The band’s sunny hooks may evoke The Beach Boys, but much darker things tend to wash up on the south shore, much as they do on the shores of our own conscience.

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