Friday, April 29th, 2022

Lucero

no bowling upstairs during performance

$25.00 Get Tickets
Doors: 7:00 PM / Show: 8:00 PM 21+ Years
Lucero

Event Info

Venue Information:
Brooklyn Bowl Philadelphia
1009 Canal Street
Philadelphia, Pennsylvania 19123

Per current mandatory health requirements from the City of Philadelphia, effective January 3rd, 2022, all attendees ages 5 and older must present proof of a COVID-19 vaccination in order to enter the venue. You certify and attest that you and all individuals in your party attending the event will abide by the following regulations:  

All fans ages 5 and older must be fully vaccinated against COVID-19 (at least two weeks after second dose) and provide proof of vaccination prior to entering the venue. Masks will be required at all times except when actively eating or drinking. 

For those under 5 years of age, printed proof of a negative test within 24 hours will be required along with the appropriate exemption documentation.  These regulations will apply to all members of your party before they are allowed entry to the venue and to any users of the tickets purchased by you.

Entry requirements and venue protocols are subject to change. 

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable.  By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of COVID-19.

If you have any questions or concerns, please email phillyboxoffice@brooklynbowl.com.

Brooklyn Bowl Philadelphia encourages music lovers everywhere to get vaccinated. The best way to keep live music safe is to get your vaccination. Please click here to find a vaccination site near you.

Valid photo ID required at door for entry.

This event is general admission standing room only.

 

Artist Info

Lucero

Like the great river that flows through Memphis, the music of Lucero keeps rolling on, twisting and turning through the years, the same dark and brooding steadiness always at work.
 
Since forming in late the ‘90s, this group of Memphis road-dogs has mixed heartfelt lyrics with the sounds of early rock and roll, classic punk, country-folk, and deep-fried Southern soul. It’s a sound that stands on the pillars of American music, born more of feeling than technique, delivered night after night to legions of fans in dive bars and theaters, and on stages as august as Red Rocks Amphitheater and the Ryman. In short, it’s music that is built to last, impervious to trends.

 For their tenth studio album, When You Found Me, the band continues its natural evolution, this time tapping into a more atmospheric, widescreen vision (one that wouldn’t seem out of place on a Reagan-era FM dial) while still staying tethered to its roots.

 “I wanted a very classic rock sound for this album,” says songwriter and frontman Ben Nichols. “I wanted it to sound like stuff I heard on the radio growing up. I didn’t want to make a retro record at all, but I did want to reference some of those sounds and tones and moods. I think we struck a nice balance between nostalgia and something that still sounds like contemporary Lucero.”

 Long-time fans might be surprised to hear the ghostly tinge of a synthesizer on a Lucero record. But the new direction is not as far afield as one might think. Rick Steff, the band’s piano and organ man of ten years, collects vintage synthesizers, so this new sonic twist was a natural detour for him. With these flourishes, Steff helps conjure an aural world of classic tracks with a firm foot in the present. Nichols’s long-time fondness for film soundtracks likely contributed to the album’s feel as well. The band has also recorded music for every movie made by Ben’s brother, acclaimed filmmaker Jeff Nichols, whose credits include Mud, Midnight Special, and Shotgun Stories.

 Lucero recorded When You Found Me over two weeks in July of 2020 at Sam Phillips Recording Studio in Memphis. Matt Ross-Spang, a long-time friend of the band who also produced 2018’s Among The Ghosts, signed on again as producer and engineer. “I don’t think he often records with a lot of synthesizers,” Nichols says, “but he’s a natural and was able to get all the sounds we wanted on the album while making sure we stayed true to ourselves.”

During the recording session, Lucero wore masks the entire time, quarantining among themselves and managing not to get sick. The band had not rehearsed since Covid-19 took root. As such, Nichols’ demos were more fleshed out this time around, complete with drum machine, synth, and fairly elaborate guitar parts, which gave the guys more of a playbook to go by when they entered the studio. “The band did an excellent job of taking those parts and making them their own,” Nichols says. Now a fairly stripped-down five-piece shorn of a horn section, Lucero — in addition to Nichols and Steff, the group comprises Brian Venable on guitar, John C. Stubblefield on bass, and Roy Berry on drums — has been able to explore new sonic avenues in its latest form, as the leaner version has opened up more space in the band’s sound.

 In its time, Lucero has sung many a tune about whiskey, heartbreak, and loss — constant occupational hazards for a rock and roll band. But four years ago, Nichols became a husband and father, a major shift in his life that found its way into his songwriting. Nichols says his daughter Izzy, now four, is the center of his universe and influences everything he does. But Lucero fans need not worry: family life hasn’t turned Nichols into a more sanitized, “Dad rock”-type; if anything, it’s made him more expansive and ambitious with the pen, without sacrificing any of that characteristic raw edge.

 Family, one of the central themes of When You Found Me, is hardly a new subject for the band. Earlier Lucero albums feature songs about Nichols’ childhood in Arkansas, about his brothers, about his grandfather fighting in World War II (“The War”), about his mother worrying over the fate of her prodigal sons (“Mom”). On a subconscious level, Nichols thinks the new album is about transitioning from being a son into the role of being a husband and father.

Beginning with the band’s last album, Among The Ghosts, Nichols began writing more third-person, character-driven songs, as opposed to just penning the first-person tales of misadventure that were once the group’s stock in trade. The new record’s opening track, “Have You Lost Your Way,” is a case in point, invoking a mythical world that was inspired by the bedtime stories Nichols had been reading to his daughter. “This is my grown up Lucero-version of a fairytale in a way,” he says. “The protagonist is a young girl and there is something evil chasing her … The song doesn’t say exactly how the story ends, but you know she is going to put up a fight.” The tune is bathed in synthesizer, letting the listener know from the jump that something new is coming down the pike.
 
The album’s next track, “Outrun The Moon,” is another tune written from the perspective of a young girl. An avid reader of history and fiction, Nichols says he had the work of Mississippi novelist Larry Brown in mind when he penned it. “Coffin Nails” tells the story of Nichols’ grandfather dealing with the death of his own father, a veteran of World War 1. “I weigh my deeds on my father’s scales” sings Nichols, giving the song a multigenerational arc. “City On Fire,” originally an attempt by Nichols at social commentary when U.S. domestic unrest reached a fever pitch this summer, ended up morphing into a more timeless, apocalyptic number, a grand rock song featuring an explosive drum part by Berry.

 “Pull Me Close Don’t Let Go,” a droning, hypnotic tune, was inspired by words spoken to Nichols by his daughter. The final song on the album, “When You Found Me,” as well as the song “All My Life,” are unabashed love letters to his wife and daughter. The last song is a proper bookend and full-circle moment for a record that begins with a song titled “Have You Lost Your Way.”

 “I’m not sure how much longer I would’ve been around if it wasn’t for my wife and daughter and the family I have now,” Nichols says. “I feel like they saved me, and they keep saving me every day. Izzy likes me to sing “When You Found Me” to her now at bedtime after we read the fairytales. She says, ‘Sing me the I’m gonna be okay song.’”
 
As a band, Lucero is doing more than okay; in fact, they’re at a creative high-water mark. In a time of great uncertainty and change, the band continues to persevere and adapt, making music that still means a hell of a lot to a loyal and ever-growing fanbase.

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