Friday, May 20th, 2022

Circles Around The Sun

Mikaela Davis

Doors: 6:00 PM / Show: 8:00 PM 21+ Years
Circles Around The Sun

Event Info

Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY 11249
Valid photo ID required at door for entry

Doors: 6:00 PM
Show: 8:00 PM

Based on the latest local guidelines, attendees are no longer required to provide proof of vaccination for entry into this event. Be sure to check your venue website for the latest updates and guidelines as entry requirements are subject to change. 

An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable. By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of COVID-19.

 

Artist Info

Circles Around The Sun

Los Angeles-based instrumental supergroup Circles Around the Sun is a contemporary instrumental rock band, initially formed with the purpose of creating music for “Fare Thee Well”, a series of reunion concerts played by the surviving members of the Grateful Dead. Those shows celebrated the band’s 50th anniversary and served as their official send-off, while Circles Around the Sun was designed to reflect the Dead's overall spacy and groove-laden feel. After the tour, the group released a self-titled album from the Fare Thee Well gigs, supporting the record with their own road trip. The response was so positive that they continued on with a follow-up project, Let It Wander, in 2018.  This record was less influenced by the Dead and more free-form, delivering on the roots influence of jazz-funk, soul, and fusion. The band underwent a fundamental transition in 2019. After completing the Meets Joe Russo EP and a third album, their guitarist Neal Casal committed suicide on August 26, 2019. He left his bandmates a note asking for them to continue in his absence– to continue recording, touring, and playing together. The band decided to carry on with a rotating cast of guitarists, landing on John Lee Shannon as the permanent replacement. 

In this metamorphosis, Circles Around the Sun spans both heartbreak and hope. Doors close; windows open; new directions extend themselves in mysterious ways. But sometimes you know it’s real from the first beat. It just clicks. It’s just how Neal would want it. It’s Circles Around The Sun.

Mikaela Davis

“This record is kind of about writing a record,” Mikaela Davis says. The 26-year-old is home in her native Rochester, New York, reflecting on Delivery, her highly anticipated full-length album, as well as the hard journey the classically trained, defiantly original harpist had to travel to become the writer and performer, she was meant to be.

“A lot of these songs came from feeling stuck and also like people were pulling me in a bunch of different directions,” Mikaela says. “I wanted to say, ‘just wait for me. I’ll figure it out.’”

Mikaela’s plea for patience - a little bit sweet, a little bit angry and raw - fed a fierce 10-song collection. A joyride that pulls from rock, 70s and 80s pop, and funk, Delivery manages to be both daring and comfortable, full of not just risks, but hooks.

Produced by Grammy-winner John Congleton (St. Vincent, Angel Olsen, David Byrne, Clap Your Hands Say Yeah), Delivery is a triumphant next chapter. “John tries to find that moment instead of the perfect take,” Mikaela says. “That made it all sound really special.”

Childhood friends Alex Coté (drums, percussion) and Shane McCarthy (bass) play on the record - already close from years of touring. Recently, Mikaela’s ensemble became a family affair with the addition of Shane’s older brother, Cian McCarthy on guitar.

Mikaela’s unconventional path to working songwriter began before high school, growing up in Rochester. With plans to join a symphony, she studied harp performance at Crane School of Music, but halfway through, she decided the traditional harpist’s path wasn’t for her.

Following graduation, Mikaela moved to Brooklyn, following in the footsteps of artists who’ve come before her. But in the city, she could never quite find her footing. She kept busy, toured, and recorded an album that would eventually be shelved. Feeling confused and alone, she retreated back to Rochester, unsure of her next move.

Then, the last place Mikaela wanted to be saved her. Rochester’s artistic community embraced her, encouraged by bandmates including Alex Coté and the group Joywave, she hit her stride. Rochester became Mikaela’s sanctuary.

Delivery benefits from it all. “Now, these songs kind of wonder what I should be doing – it’s me trying to get myself back to why I started writing in the first place,” Mikaela says. “writing made me feel better and safe when the world around me was falling apart.”

“Just let my songs resonate with you somehow. That would make me so happy.”

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