Bruce Hornsby & The Noisemakers
CARM, no bowling tonight
61 Wythe Avenue
Brooklyn, NY 11249
Valid photo ID required at door for entry
Doors: 6:00 PM
Show: 7:30 PM
Based on the latest local guidelines, attendees are no longer required to provide proof of vaccination for entry into this event. Be sure to check your venue website for the latest updates and guidelines as entry requirements are subject to change.
An inherent risk of exposure to COVID-19 exists in any public place where people are present. COVID-19 is an extremely contagious disease that can lead to severe illness and death. According to the local health authorities, senior citizens and guests with underlying medical conditions are especially vulnerable. By visiting our establishment, you voluntarily assume all risks related to the exposure to or spreading of COVID-19.
Bruce Hornsby & the Noisemakers
Hornsby plays piano, of course, but the songs on Non-Secure Connection also feature Hornsby's electric sitar and Chamberlin, along with guitars, horns, strings and subtle samples from sources as varied as minimalist composer John Cage and Scottish rockers Franz Ferdinand. Like Absolute Zero, Non-Secure Connection also features a wealth of collaborators: singer James Mercer of The Shins and Broken Bells, singer and poet Jamila Woods, Living Colour guitarist Vernon Reid, Bon Iver leader Justin Vernon and the late Leon Russell, who appears thanks to a demo that he and Hornsby recorded together more than 25 years ago.
"I must be the only person around that has a record with James Mercer, Jamila Woods, Leon Russell and Vernon Reid," Hornsby says with a laugh. "It's a great, disparate crowd."
It's the kind of unexpected roster that listeners have come to expect from Hornsby, who has built a distinctly unique career since his debut with The Range on their multi-platinum 1986 album The Way It Is. From there, Hornsby has steered his way through a stint on keyboards for the Grateful Dead, writing music for Spike Lee's films, and albums exploring jazz, bluegrass and contemporary classical music.
"I'm often looking to make a sound that I haven't heard before, and find a place in what I guess is the context of popular song for some new information," he says.