Theory of a Deadman
Brooklyn Bowl Las Vegas
The Linq Promenade
Las Vegas, NV
$29.50 General Admission
$32.50 General Admission (week of show)
$35.00 General Admission (day of show)
Artist Presale: Tuesday, November 15th @ 10am PST
VIP Packages: Tuesday, November 15th @ 10am PST
Songkick Presale: Wednesday, November 16th @ 10am PST
BBLV Presale: Thursday, November 17th @ 10am PST
Public On Sale: Friday, November 18th @ 10am PST
Based on the latest local guidelines, attendees are no longer required to provide proof of negative COVID-19 test AND/OR vaccination for entry into this event. Brooklyn Bowl encourages mask wearing and encourages you to get vaccinated if you aren’t already! Be sure to check our venue website for the latest updates and guidelines as entry requirements are subject to change.
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Tickets purchased in person, subject to $2.00 processing charge (in addition to cc fee, if applicable).
All general admission tickets are standing room only.
ALL TICKET PRICES SUBJECT TO NEVADA'S 9% LIVE ENTERTAINMENT TAX
*Advertised times are for doors -- show time not available*
Theory of a Deadman
Saint Asonia initially united two hard rock luminaries under a new banner. Respectively, Adam and Mike had each reached stratospheric heights in Three Days Grace and Staind, toppling charts, packing venues, and selling millions of records. As such, their union captivated audiences worldwide. In the wake of their 2015 self-titled debut Saint Asonia, Loudwire christened the band its “Best New Artist” at the Loudwire Music Awards. The 2019 follow-up, Flawed Design, yielded the blockbuster single “The Hunted” [feat. Sully Erna of Godsmack], generating over 15 million Spotify streams. In a “4.5-out-of-5-star” review, New Noise Magazine declared, “Any fan of hard rock (whether they’ve listened in recently or not) should give Saint Asonia a spin.” Plus, Loudwire applauded it as one of the “The 50 Best Rock Albums of the Year.” Not to mention, they toured with everyone from Disturbed, Breaking Benjamin, and Seether to Alter Bridge and Mötley Crüe.
Unfortunately, Flawed Design never received a proper tour due to the Global Pandemic. However, the musicians buckled down and wrote what would become Introvert during the downtime.
“The title was fitting with the way the songs were written,” observes Adam. “We wrote and recorded individually. It’s a weird situation to make a record and not be in the same room as your band. I felt like an Introvert when I was working on these songs.”
This time around, they recorded with producer Anton Delost [Cleopatrick, Seaway, Hollow Coves] outside of Toronto. The producer injected a fresh perspective into the project as did recently welcomed drummer Cody (who played in Art of Dying with Cale). Meanwhile, Mike recorded remotely from his home studio in Connecticut.
“We had a blast with Anton,” Adam goes on. “He played a big part in the sonic changes. It’s a little different for us, but it’s still pretty heavy. He understood what we were hoping to accomplish. It’s Saint Asonia.”
The guys initially teased out this phase with a heavy and haunting take on The Weeknd’s “Blinding Lights,” tallying millions of streams. However, they properly introduce Introvert with the single “Above It All.” Airy electronics brush up against clean guitar as Adam declares, “It’s time to take a stand and save our lives.” A chugging verse gives way to an irresistible hook punctuated by a hummable guitar lead.
“It’s the first one I actually wrote,” he recalls. “I wrote it about standing up and paying attention to what you’re told to do as a society and then making your own decisions. You’re not necessarily acting or reacting as people want you to. We’re all told so many things about what’s right or wrong. There was a lot of misinformation. ‘Above It All’ is about making the right decision for yourself.”
Then, there’s “Chew Me Up” [feat. Johnny Stevens of Highly Suspect]. Johnny’s bluesy timbre serves as the perfect counterpoint to Adam as the slow burning track builds towards a catharsis with teeth.
“We’re big fans of Highly Suspect, so we were really excited to have Johnny on the song,” he goes on. “Our styles are a little bit different, but he did his thing. It turned out amazing. Lyrically, it’s about cancel culture. People are influenced by things online and try to be who they’re not on social media platforms. There’s a lot of pressure. The song is a realization it doesn’t matter. The internet and social media can chew you up pretty quickly and spit you back out before you even know it.”
Elsewhere, “Left Behind” culminates on a scorching guitar solo, while “Bite The Bullet” hinges on a thick bass line and candid lyricism.
“My dad passed away about a year ago, and ‘Bite The Bullet’ hits home,” he admits. “He always used to use the phrase ‘Bite The Bullet’ when I was growing up. The song remembers him and how he told me you can’t change things that are out of your control. It’s a good reminder of my dad.”
In the end, Saint Asonia connect closer than ever on Introvert.
“This band means a lot to me,” Adam leaves off. “It’s been an incredible outlet, and it’s become a family. I love the guys and the freedom we have to create. I couldn’t ask for a better situation. I hope people dig it and love the music. If you relate to it and drive down the road blasting it, that’s the most I could ask for.”