Galactic - Into The Deep Tour 2016
The Record Company
Tuesday, March 1st, 2016
Doors: 8:00 pm / Show: 9:00 pmBrooklyn Bowl Las Vegas
$22.00 - $25.00 +
Tickets at the Door
This event is 18 and over
$22 in advance. $25 day of show.
TICKETS PURCHASED IN PERSON AT THE BOX OFFICE INCLUDE A $2 BOX OFFICE FEE (rounded to the nearest dollar).
ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX
All general admission tickets are standing room only.
Brooklyn Bowl Las Vegas is excited to offer special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 applicable for rooms at The LINQ Hotel and the Flamingo. Promo code BRB15 can be used at: www.caesars.com or via Citywide phone reservations reachable at: 1-888-642-7724https://www.brooklynbowl.com/event/986753/
A key part of that creative spark comes from the teamwork of Mercurio and Ellman, whose ever-evolving production and arranging skills helped usher the band into a new phase of studio work beginning with the loop-centric “Ruckus” in 2007. A series of albums focused around specific concepts like Carnival followed, as did collaborations with guests hailing from worlds outside the one Galactic calls its own.
On “Into the Deep,” the band members look within themselves instead, drawing inspiration from people and ideas that have long been close to their hearts – and, in turn, close to the development of their unique sound. Shot through with soul, funk, blues and rock, the result is an organic riff on elements of Galactic’s past, filtered through the lens of where they’re headed in 2015.
“I see this album as a kind of culmination of all of our collaborations or experiences, from [trombonist] Corey Henry to the people we met on the road, touring,” says Mercurio, referencing Ellman’s first full-time gig in New Orleans, which kicked off when Henry hired him into the Little Rascals Brass Band in 1989.
“The previous albums took us in the opposite direction,” Mercurio says. “We collaborated with rappers that we had never dealt with and even on the New Orleans tracks, we didn’t have working experience with most of those artists before the recordings.”
In contrast, “Into the Deep” contributors like JJ Grey, David Shaw and Maggie Koerner spent significant time touring with Galactic. A few years ago, Mavis Staples sat in with the band, all of whom are longtime fans of the legendary singer’s R&B-meets-gospel soul style. They caught up with Macy Gray when she performed a memorable concert at Tipitina’s where Ellman says he could see from the outset “how much she cares about the music.” And each of the players had also developed a deep appreciation for the Honorable South’s Charm Taylor, whose contribution, “Right On” was written specifically to suit her vibe.
“Quint Davis [the producer of] Jazz Fest always has a couple people he books at the festival that aren’t big names but that Quint knows are going to be super cool,” says Ellman. “That’s how we met Brushy One-String. We originally wanted to bring him in to do anything, just to see what would happen. But when we heard his song ‘Chicken in the Corn,’ we really wanted to do our version of it.”
In the end, he joined them on the road for over a month, collaborating with the band onstage at each show.
For the instrumental tracks, Galactic mined the interests and tastes they’ve cultivated together for years in New Orleans. “Buck 77” was written via improvisation, a long-standing cornerstone of their live shows. The funky bass line and tumbling guitar part on “Long Live the Borgne,” meanwhile, represents an updated, more composed take on some of the concepts that made early albums like “Coolin’ Off” so strong.
As for the opener “Soogar Doosie,” Ellman points out Galactic tends to record at least one track on each album that speaks to the band’s collective love of brass band music.
“We write [those songs] with the idea of how awesome it would be to hear the Rebirth going down doing the street in a second line playing one of our songs. We try to think of a real second line song that would get people slapping stop signs and dancing on cars,” he says.
The album, Ellman says “is all about people. It’s these connections we’ve made over 20 years. They’re people in our orbit that have come into our little world and affected us in some way.”
It’s also about how the individual musicians within Galactic have grown over time. When it comes to trying new approaches as players, producers, songwriters and arrangers, Ellman muses, “it’s an evolution.”
songwriting grew so much that we knew we had to take it out of the living room this time around.”While the group still worked up the core of most songs at home and produced themselves like the old days, they headed to nearby Boulevard Recording in Hollywood on a quest to break new sonic ground. The eclectic array of analog gear in the studio, which had previously hosted everyone from Pink Floyd to Fleetwood Mac to The War on Drugs, enabled the band to push the limits of their productions and arrangements while still capturing all the scintillating power and spontaneity of their live show. “We want to be known as the best live band on Earth,” says drummer Marc Cazorla, “and the only way to do that is to believe it. We were an opening band for five years, and we made it our goal every night when we took the stage to be remembered.”The same unshakable faith that sustained the group through their long, arduous climb now courses through the album’s veins. Belief is the record’s lifeblood, a defiant optimism that stands tall in the face of doubt and division. The songs reflect our troubled times, but they focus inwards rather than outwards, musing on personal empowerment, self-improvement, and the supremacy of love. Album opener “Life To Fix” is a driving ode to forward motion and getting through hard times by continually putting one foot in front of the other, while the utterly infectious “Make It Happen” finds Vos proclaiming, “If you want something / You got to go out and get it.”“This record to me is about self-reflection and making yourself better,” he explains. “It’s about taking responsibility for your own spot in the world. If you’re not on the right path, the only person who can take that next step to fix it is you, and at the end of the day, after all the highs and lows, all you’re left with is yourself.”“We learned from the first album that our audience really connected to songs with a little more inner depth and reflection,” adds Stiff. “Sometimes people would find deeper meaning in the music than we ever thought possible. Folks would come up after shows and tell us that our songs got them through a divorce or a grieving process, which was really powerful and inspiring.”In addition to digging deep lyrically, the band pushed themselves beyond their traditional musical boundaries on the album. “Goodbye To The Hard Life” is a slow-burning 6/8 ballad that calls to mind the simmering potency of Led Zeppelin, while the acoustic twang of “I’m Changing” taps into the rural southern intensity of Johnny Cash, and the rollicking “I’m Getting Better” captures the essence of Bob Dylan’s rambunctious Highway 61 Revisited period as if played by some punk rock kids stepping into the garage for the first time. “We wanted to take risks we couldn’t have the first time around,” explains Stiff. “We wanted to create moments that our audience hasn’t seen or heard from us before.”In the end, that’s what makes the record so special. It’s that rare sophomore album that retains the magic of the debut while simultaneously pressing forward into uncharted territory, expanding the band’s emotional and sonic palette to reflect the wild journey they’ve shared these past few years. The muscle and beauty and longing and brotherhood of those original home recordings is still present, but it’s been turned up a notch here, pushed to a new level of command and sophistication. The Record Company has moved out of the living room with All Of This Life, and they’re ready to share it with the world.
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