MiSoul & MusicConnex & BBUK Presents


Dj Greg Edwards, Jeff Young, Chris Phillips, Gordon Mac, JM, HOSTED BY: GILLES PETERSON

Friday, November 20th, 2015

Doors: 7:00 pm / Show: 8:00 pm

£25 adv/ £35 doors

This event is 18 and over

On this night we will be celebrating the 40th anniversary of his landmark album EXPANSIONS with a concert as well as an all night club night featuring the DJs from MiSoul radio as well as some special guests.

The night will be hosted by Gilles Peterson in support of the Steve Reid Foundation.

While commemorating the life and legacy of Steve Reid, the Steve Reid Foundation aims to help people working in music who are in crisis, especially those suffering from illness. We also seek to support emerging new talent through education and information initiatives. We want to see a world where people working in music, especially those who have devoted their lives to it, are able to get the help they need when they need it most. The Foundation provides grants to non-profit organisations that help people working in music. Charities that we are currently working closely with include the Musicians Benevolent Fund and the Jazz Foundation of America.

Lonnie Liston Smith
Lonnie Liston Smith
The great Lonnie Liston Smith is one of contemporary music’s most versatile musicians. In a career that spans some 40 years, he has been heard in a variety of context as a featured sideman for some of Jazz music’s most illustrious leaders before stepping out to reveal his own original concepts as a bandleader in the mid 70’s. He is a keyboardist of the first rank and has influenced a generation of young players that have acknowledged his rhythmic urgency (swing), harmonic acumen and composing skills.

Lonnie began performing in the Baltimore area where he became adept at backing vocalists such as Ethel Ennis and visiting dignitaries like Betty Carter. While attending Morgan State University, he began performing with his peers, Gary Bartz (alto saxophonist), Grachan Moncur (trombonist), and Mickey Bass (on upright bass). After college, Lonnie moved to New York City and began performing with the top vocalists, such as, Betty Carter and Joe Williams. Soon after, Lonnie joined Art Blakey and The Jazz Messengers and after The Jazz Messengers, he got a call to perform with drummer, Max Roach, which was unusual because Max rarely used a pianist in his ensemble.

Lonnie’s next 3 jobs were perhaps the most important stepping stones in his career. He got the call from Pharaoh Sanders in 1968 and made his mark in one of the most visible ensembles of the day.

Pharaoh who had worked with John Coltrane until his death in 1967, was (and still is), an intense creator who was extending the boundaries of improvised music. Lonnie and Pharaoh created spontaneously at every moment. Lonnie, also began to experiment with electric keyboards and created a rich Cosmic sound to support Pharaoh’s impassioned tenor saxophone flights.

Lonnie composed a COSMIC 21st Century 12 bar Blues entitled, “Astral Travelling”, which appeared on Pharaoh’s “Thembi” CD. Lonnie’s compositions for Pharaoh’s other CDs “Upper Egypt”, “Karma”, “The Creator Has a Master Plan”, “Summum, Bukmun, Umyun”, and “Jewels of Thought” were essential to the band’s sound. Argentinean, saxophonist, Gato Barbieri, heard Lonnie performing with Pharaoh and asked Lonnie to record with him.

In 1973 Lonnie received the important call to join the Miles Davis ensemble. Lonnie recorded 2 CDs with Miles, “On The Corner” and “Big Fun”. Lonnie said working with Miles Davis was his greatest experience and joy. Miles was a genius on stage and off stage because Miles has produced more band leaders than any other musician in the history of creative music.

In 1974, Producer, Bob Thiele, signed Lonnie to a solo recording contract. “Astral Traveling” and “Cosmic Funk” were Lonnie’s first 2 CDs. However, it was his album (CD) , “Expansions” that broke Lonnie into the major leagues as a worldwide leader. The CD was a breath of fresh air in 1975 as it combined solid Jazz playing with creative crossover elements that did not dilute the music. While many of Lonnie’s contemporaries were making records that were artistically bankrupt, (fusion music at this time had become big business), his CDs retained warmth and fire. He recorded several more albums in this vein, including “Visions of a New World” and “Renaissance” before he was approached by CBS. Lonnie continued to make good records for them as well, “Loveland”, “Exotic Mysteries”, “Song for the Children” and “Love Is The Answer”.

Early in Lonnie’s musical career, he recognized the magical and healing power of music. And, using the medium of music, he has expanded the consciousness and raised the moral values of humanity on the planet Earth. Lonnie said his greatest desire and hope in life is that the human race learns to live in peace and harmony and not make war.
Venue Information:
Brooklyn Bowl London
Peninsula Square
London, United Kingdom, SE10 0DX

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