The Sadies, Andre Williams

The Sadies

Andre Williams

Saturday, July 16th, 2011

Doors: 6:00 pm / Show: 8:00 pm

Tickets at the Door

This event is 21 and over

$10 at the door, cash only

The Sadies
The Sadies
Bands get worse over time; it’s an immutable law. Not THE SADIES. After a dozen years and eight (or is it nine?) albums (excluding their collaborations with Andre Williams, Neko Case et al.) The Sadies just get better and better. And with Darker Circles they’ve made their strongest and most fully realized work to date. It’s tempting to write that the band has ‘matured’, but in rockcritspeak that’s usually code for ‘old, tired and boring’—which they are not. The Sadies can still out-sing, out-pick and out-rock anyone out there, but there’s a new depth to their songwriting now, a process they began to perfect on 2007’s New Seasons but which has blossomed here in spectacular fashion.

As the title suggests, Darker Circles is a more somber, soul searching affair than its predecessor. There’s a haunting, spiritual quality to songs like Kut Corners, Tell Her What I Said, Whispering Circles and The Quiet One; ghosts of regret and lost love reverberate softly between the vocals and guitars or “drift like whispers that echo in your mind.” Even when the band rocks out, like on the fuzz-drenched garage-psych opener, Another Year Again, the lyrics wrestle with themes of failure, rejection and mortality.

In the past The Sadies have been pigeonholed as country-rock—or worse, alt-country—a lazy label that fails to do them justice. While there’s no arguing that country music runs in their blood, they’ve always been closer in spirit to Younger Than Yesterday than Sweetheart Of The Rodeo—just check out Postcards or Violet and Jeffrey Lee. In other words, country is just one element of an increasingly unique and distinctive Sadies sound that draws on a range of influences from garage, folk-rock and psychedelia, to Link Wray and Ennio Morricone.

On Darker Circles all these elements come together perfectly to create a record that feels like a real album in the classic sense of the word. In an age where art, music and culture are usually instantly disposable, The Sadies have accomplished that most rare of feats—they’ve created something timeless.
Andre Williams
Andre Williams
Andre "Mr. Rhythm" Williams is a R&B legend, and you may not even know it. He wrote "Shake A Tail Feather," and sang such uber-raunch cult classics as "Bacon Fat" (covered by the Cramps), "Greasy Chicken," and the epitome of songs about little girls, "Jail Bait." He worked at seminal labels such as Motown, Chess, and Fortune. He wrote songs for, or produced folks Ike Turner, Parliament/Funkadelic, Edwin Starr and Stevie Wonder. The guy is like music's version of Zelig; he's been everywhere, man. Yeah, baby.

After a few hard years in... er... retirement, he stormed back in the late 90's with a record of smutty garage punk called Silky recorded with members of the Demolition Doll Rods and the Dirt-Bombs. Since then he has recorded with the Sadies, Jon Spencer, Two-Star Tabernacle (which included a very young Jack White) and many others. His resurgence of popularity (and notoriety) continues as he tours the world. Recently he was the subject of a documentary, Agile, Mobile, Hostile that premiered at the 2008 SXSW Film Festival. Andre tells it like it is, and if you get all bashful and shit with the blue language, you might want to steer clear--this guy can make Redd Foxx (who gave him his nickname, by the way) look like Bill Cosby. Don't let the shtick fool you, though, the man has put together some of the most bad-ass soul shakers in the history of music. He strips away all the bells and whistles and shoots musical arrows right to your goodie spot. Music at its most feral.

Also, Andre shows generally feature at least one costume change. That can't be said about a lot of folks these days.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249

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