Rock n Honor: Adelitas Way, Taking Dawn, Silversage, Rockie Brown, The Las Vegas Emerald Society Piper Band
Saturday, March 23rd, 2019
6:00 pm (event ends at 1:00 am)Brooklyn Bowl Las Vegas
$20.00 - $25.00
This event is 18 and over
$20.00 General Admission, $25.00 General Admission (day of show)
All guests must have a valid government/state issued ID for entry to the venue. No refunds.
International customers, if you are having issues purchasing, please reach out to us at 702-862-4728 for help completing your purchase.
Tickets purchased in person, subject to $2.00 processing charge.
All general admission tickets are standing room only.
ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX
Brooklyn Bowl Las Vegas is excited to offer special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.
*Advertised times are for doors -- show time not available*
* Venue closes between 12am - 1am unless otherwise noted*https://www.brooklynbowl.com/event/1831004/
Chapter IV, in Virginia was organized in June of 2010 and ventured onto its inaugural ride in May of 2011. Although Chapter IV is based in "Virginia", the chapter has riders and support members from all over the country.
Members of Team Blue Line Valor from Las Vegas began riding with and in support of Chapter IV in 2013. Team Blue Line Valor are current and retired police officers who ride in support of the Police Unity Tour.
With “Dog on a Leash”—a slow-burner that blends lead-heavy riffs, thunderous drums, haunting guitar tones, and stirring vocals—Adelitas Way has deepened their sound while staying true to the fierceness of spirit the band’s embraced since their 2009 debut (a self-titled effort featuring the chart-topping single “Invincible,” now the theme song for WWE Superstars). For singer/songwriter Rick DeJesus, guitarist Robert Zakaryan, bassist Andrew Cushing, and drummer Trevor Stafford, striking that balance began with devoting nearly two years to writing the songs that would eventually make up the album. “Coming up with the songs for this record, it was really important for us to take the time we needed to let everything come together naturally, and also to make sure the lyrics and melodies and music were the strongest we’ve ever done,” says DeJesus.
Along with developing more powerful hooks and broader arrangements to shape each of the new songs in the band’s arsenal, Adelitas Way allowed an urgent, gut-punching intensity to fuel every step of their songwriting process. “I wanted the emotion of each song to be so strong that you could feel it bleeding through the music, whether it’s angst or heartbreak or loss, or even something from one of the more feel-good songs on the album,” DeJesus points out. “To me songs that have that kind of raw feeling are the ones that really get through and change people.”
While some of the songs saw their inception with a lyric or a melody from DeJesus, other tracks were born from riffs that the band generated during their many tireless jam sessions. “We spent weeks jamming and working on songs, which helped the final version to feel natural and real once we actually recorded,” says DeJesus. That prep work turned out to be invaluable in readying the band to record with Raskulinecz, an experience that DeJesus likens to a musical boot camp. “Nick’s not the kind of producer who’ll tell you, ‘Oh, we’ll just edit it later,’” says DeJesus. “There was no cutting or pasting or computer magic—it was just like, ‘You’re gonna sing it and play it right all the way through, and that’s what’s gonna go on the record.” Raskulinecz also helped Adelitas Way cultivate a more dynamic sound by working with the band to strengthen their arrangements and take their songs into directions they hadn’t explored before. “It was a constant learning and growing process, and Nick really helped push us both mentally and physically,” DeJesus notes.
When it came time to record, Adelitas Way and Raskulinecz spent ten hours a day working on songs in their cabin studio. “We were pretty secluded out there in the woods, which I think is better for making a record than being in a city like L.A. where you have so many distractions,” says DeJesus. “There’s a different level of focus in working like that, and all we had to think about all day long was building a connection with the people who were going to hear this album.” Even after leaving the studio for the day, DeJesus continued to work on crafting the band’s latest batch of songs. “I’d go back home and sit down and work on lyrics some more, making sure all of the songs were right and telling the story I needed and wanted to tell,” he says.
Despite all that steadfast effort, the album emerges as a product of pure passion, nervy energy, and an irresistible simplicity that’s evident in its bold and brash sound. “With this album it wasn’t like, ‘Let’s try out all these new things’—it was more like we were trying out less things,” says DeJesus. “We weren’t saying, ‘Let’s try hiding the guitar tone, let’s stack 50 guitars to make it sound huge, let’s tune the vocals and add synth and beats and whatever else.’ We just wanted to keep it stripped-down and make some really great music.” Noting that his songwriting is largely influenced by the visceral, uncompromising alt-rock that bands like Nirvana and Soundgarden pioneered in the late-‘80s and early-‘90s, DeJesus adds that Adelitas Way was adamant about limiting the new album to live instrumentation (including a grand piano and string section along with the built-in lineup of guitar, bass, and drums). “When I was younger I watched Nirvana wipe out an entire generation of pop, which was something really inspiring to me in making an album at a time when rock’s become sort of a black sheep in the music world,” he says.
For Adelitas Way, one of the most crucial benefits to keeping their sound rough and rugged is clearing a more direct pathway to connection with the listener. “A song like ‘Dog on a Leash’—that’s about feeling like you need to ask permission to do what you want, like you’re under the mercy of someone else, whether it’s your boss or an overbearing girlfriend or boyfriend or whoever, which is something I’ve seen happen so many times to people in my life,” DeJesus explains. By drawing out those pained and primal emotions in their music, Adelitas Way aim to ultimately empower their listeners with a sense of release. “Hearing a song that’s about something you’re dealing with and realizing you’re not alone is so important for getting through things,” says DeJesus. “That’s what I want our songs to help people to do. And when someone connects with a song so much that they think we wrote it specifically about them, that’s when I know we’ve gotten the job done.”
Chris Babbit - vocals, guitar
Mikey Cross - guitar, backing vocals
Alan Doucette - drums, backing vocals
Andrew Cushing - bass, backing vocals
The band has created a buzz since its inception late 2013 by regularly lling top Vegas venues, such as House of Blues, Brooklyn Bowl Las Vegas, The Sayers Club, Double Barrel Roadhouse, and Vinyl at Hard Rock. The band has also become a mainstay act on the Las Vegas strip performing under Caesars Entertainment. Along with local Vegas residencies, Silversage has also toured parts of the western U.S.
SILVERSAGE has opened for national acts Lukas Graham, LANY, Blues Traveler, and Steve Winwood, to name a few, along with showcasing at SXSW 2017 for Paradigm Talent Agency and Caesars Entertainment. Locally, SILVERSAGE has been featured on The Morning Blend and FOX 5 Gibson Showroom, and they have also received radio airplay from X107.5, MIX 94.1, and KOMP 92.3.
SILVERSAGE draws influences from OneRepublic, Muse, Imagine Dragons, The Killers, and AWOLNATION.
SILVERSAGE is currently in studio with producers Jim Kaufman (Atlas Genius, Night Riots) and Red Jacket (Plain White T’s) working on their debut album.
Brooklyn Bowl Las Vegas
3545 Las Vegas Blvd. South
Las Vegas, NV, 89109