Anchorsong, Marley Carroll
Thursday, April 25th, 2019
Doors: 11:00 pm / Show: 11:30 pm (event ends at 1:30 am)Brooklyn Bowl
This event is 21 and over
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Marley Carroll 12:05pm
Little People 12:40pmhttps://www.brooklynbowl.com/event/1807707/
A subsequent move to the UK introduced electronica to his broadening taste and influenced his own sound. Then followed work soundtrackingshort films and theater productions which added a cinematic element to his repertoire. Following a disheartening stint doing some production work for a Paris based hip hop label convinced Laurent that he should be doing things on his own terms. A self released EP led to being picked up by Illicit Recordings in London – through which “Mickey Mouse Operation” was eventually released. This was 2006 andhis debut album only made a very modest splash. Over the subsequent years, however, it turned into something of a sleeper ‘hit’ – gathering fervent support in the US and slowly climbing the US iTunes electronic chart in the process.
Little people’s sound is part beats, bleeps and snippets of other people’s music. Stemming from hip hop, it effortlessly combines warm synths, intricate melodies and string arrangements. The cinematic quality of his sound led to his music being used on CSI and other shows in the US and UK.
Having put out three successful EPs in Japan, all of which were released as double packs containing a CD and a live DVD, Anchorsong's international debut, "The Lost & Found EP" was released on 28th March 2011 on his own label, Case Study.
In May 2011, Anchorsong signed to Tru Thoughts records in the UK. His single, “Ghost Touch” / “Plum Rain”, came out on 24th October, followed by the highly anticipated debut full album, 'Chapters', in November. It received support from tastemakers including Huw Stephens (BBC Radio 1), John Kennedy (XFM), Oneman and Laurent Garnier.
In March 2014, he signed the seismic “Mawa” EP to BBE Recordings for a limited edition clear 10” vinyl release, taking a more sample-laden, cut and paste approach with a renewed musical vision. Praise from the likes of Gilles Peterson, Karizma, Osunlade and Craig Smith soon followed, cementing Mawa’s place among 2014’s most impressive electronic music releases.
His 2nd album ‘Ceremonial’ (2016), dug deep into the roots of ‘70s African music, and was commended as one of BBC 6Music’s ‘Albums of the Year 2016’ placing at number 5. It also achieved heavy press coverage from the likes of XLR8R, Clash, DJ Mag and Songlines; radio support from Huw Stephens’ BBC Radio 1 ‘It’s Album Time’, and a live session on Gilles Peterson’s Worldwide FM added to official BBC 6Music Playlisting for post-album single “Expo” the following spring, a live session for Tom Ravenscroft (in for Marc Riley) and a ‘60 Second CV’ feature (Steve Lamacq’s BBC 6Music Recommends).
Anchorsong's third album ‘Cohesion’ was released on 26th October 2018 on Tru Thoughts. His latest offering takes inspiration from ‘70s and ‘80s Bollywood film soundtracks and traditional Indian percussion, to create a psychedelic, danceable and free-spirited listen that blurs the boundary between rhythm and melody. 1st single "Testimony" remained on 6music's playlist for 4 weeks in row, and "Cohesion" was named their album of the day on 28th October.
Carroll’s humble origins as a classically-trained pianist and percussionist were shattered after he took top honors at a statewide DJ battle at the prodigious age of 17. The experience catapulted him into notoriety, pitting his skills against DJs twice his age and quickly catalyzed his path towards career musicianship. In the intervening years he has completed a transformation into a dynamic electronic music producer, world-class turntablist and captivating live performer.
As a producer, Carroll’s early experiments wove the stuttering precision of mid-era Warp (Boards of Canada, Autechre) with the gauzy emotional haze of shoegaze (My Bloody Valentine), culminating in the well-loved debut LP Melanaster. His follow-up, 2013’s Sings, revealed a more rhythmically-driven version of Carroll’s vision, influenced by the galvanic dance floor energy of larger live audiences. A densely-propulsive electronic journey rooted in shadowy forest imagery, Sings received universal critical acclaim, drawing praise from tastemakers like Pitchfork, Rolling Stone and Stereogum, and was honored with an album-of-the-week nod at Bandcamp.
Onstage, Carroll brings a more raw and improvisatory adaptation of his music to rapt audiences, combining live sampling, drum pads and looping with stunning and often unorthodox turntable skills. He has shared the stage with similarly-minded peers like Floating Points, Bonobo, and DJ Shadow and has appeared at groundbreaking music festivals across the country (Coachella, Decibel, Moogfest).
With Flight Patterns, Carroll has tuned his instruments skyward and infused his unique style of subtle and compelling dance music with samples and textures from the natural world. Bird songs, field recordings, gongs, deep basses, wooden drums and plaintive analog synths provide the substrate for expansive songs with the kind of three-dimensional depth that invites immersive, intentional listening.
“This all started with the crows,” he explains. “I work from a small home studio in the mountains surrounded on all sides by trees, and I began to feel this spooky intelligence all around me, like I was being watched. I became fascinated by their activities, their comings-and-goings, the little dramas that are playing out all around us, all the time. That led to an obsession with bird calls and communication and now it’s gotten to the point where I have a Cornell Ornithology Lab calendar hanging in my bedroom.”
Regarding his new label home, Carroll says: “Signing with Loci felt very natural. I’ve been touring partners and friends with Doug for a long time and he deserves a ton of credit for helping my music reach wider audiences. I’m immensely grateful for the opportunity and I hope it reaches fans of Loci that are open to something a little more uptempo.”
“A lot of artists working to merge dance music’s propulsive complications with straightforward songwriting structures aim for something as simply excellent as this, and they often fail; however, Carroll hits a direct bullseye with “The Hunter.” — Pitchfork
“Marley Carroll is connoisseur of groove, a tastemaker with a diverse palette and great attention to detail. Gifted in the dark arts of composition, production and turntablism… Marley Carroll is a veteran in the making.” — Emancipator
61 Wythe Avenue
Brooklyn, NY, 11249