Kings and Queens Tour: Nonpoint and Butcher Babies
Islander, Sumo Cyco, Crash Midnight
Thursday, June 14th, 2018
5:30 pm (event ends at 1:00 am)Brooklyn Bowl Las Vegas
$20.00 - $25.00+
This event is all ages
$22.00 General Admission, $25.00 General Admission (day of show)
TICKETS PURCHASED IN PERSON AT THE BOX OFFICE ARE SUBJECT TO A $2 TICKETING FEE.
All general admission tickets are standing room only.
ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX
Brooklyn Bowl Las Vegas is excited to offer special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.comapplicable for rooms at The LINQ Hotel and the Flamingo.
*Advertised times are for doors -- show time not available*
*Venue Closes daily between 12am-1am unless otherwise noted*https://www.brooklynbowl.com/event/1670817/
Nonpoint emerged as part of the cultural wave of aggressive-streetwise-metal-mixed-with-melodic-force and unapologetic passion that burst from underground clubs onto Ozzfest and MTV in the “aughts.” But even as radio formats shifted and the window dressing aesthetics changed, the sheer intensity balanced with huge catchiness of Nonpoint bangers like “Bullet with a Name,” “Breaking Skin,” “The Truth” and “That Day” kept them relevant and revered.
“Our fans appreciate the variety in what we do and the difference in how we do it,” notes frontman Elias Soriano. “We write songs that have meat on the bones and stick to your ribs.”
Nonpoint has brought their message to the masses on tour with Disturbed, Papa Roach, Stone Sour, 10 Years, and Megadeth, while selling close to 1 million albums in North America. Their juxtaposition of rhythm and melody gets heads bobbing, hands in the air, and crowds singing.
The elite squad of Nonpoint’s contemporaries and peers with both staying power and continued creative progression includes chart-topping, trend-proof survivors like Disturbed, Slipknot, Deftones, and Korn. The Fort Lauderdale-based quintet is undeniably counted among those ranks, to diehard true believers who know what’s up. Case in point: less than 24 months ago, Nonpoint’s “Breaking Skin” was the most-played song on SiriusXM Octane for the entire year.
The Poison Red, the veteran rock band’s driving and ambitious ninth album, offers further testament to what makes Nonpoint such a tough act for other bands to follow on the radio dial, onstage at major festivals like Rock On The Range or Australia’s Soundwave, and in any club blessed with one of the band’s sweaty, crowd moving, exhaustion-proof performances. From their earliest ultra DIY releases, through the trio of major label albums, to their more recent work for the world’s most important indies, the energy and determination remains consistent.
“Generation Idiot” rails against internet tough guys and text-message fairweather friends, emphasizing the power of deeper means of communication and connection, which includes music. It’s one of Nonpoint’s heaviest songs ever. “Divided Conquer Them” imagines what could be achieved with a greater cultural influence on art and quality of life than in the mind-numbing routines of accumulating possessions. “Standing in the Flesh” is a penultimate Nonpoint song, reveling in the transformative, shared experience of band and audience. “El Diablo” rails against the deceivers who promise the world only to deliver pain in business and in life. “My Last Dying Breath” is a fitting closer for The Poison Red, a statement of purpose that all of the sacrifices it’s taken for Nonpoint to make it this far will not be for naught; they are lifers in this music thing.
“I’m trying to empower people and that’s it,” Soriano says with matter-of-fact clarity. “It’s because I’m trying to empower myself. I’m trying to be a better person. I don’t’ want to be a ‘good’ man, I want to be the best man, the best guy that I can be. I want to always get better.”
It’s hard to imagine another band with the courage to tackle Jay-Z’s “99 Problems,” Michael Jackson’s “Billie Jean,” and Pantera’s “Five Minutes Alone” in the first place, let alone pull all of them off like Nonpoint. Those reference points loudly attest to the pure skill and impressive range of Soriano (vocals); the groove-oriented rhythmic pulse of his fellow Floridian cofounder Robb Rivera (drums); the decisive and driving heaviness of longtime band mates Rasheed Thomas (guitar) and Adam Woloszyn (bass); the shredding technicality of B.C. Kochmit (guitar); and how they merge together to create the unique and recognizable Nonpoint sound.
Nonpoint operates with the bottom heavy groove of Sabbath, the audacious danger of The Crue and GN’R, the theatrical bent of Maiden, the in-your-face brutality of Pantera and the urgent explosiveness of Rage Against The Machine. This is music for the millions of people who connect just as passionately with Metallica’s Black Album as the record of the same name by Jay-Z, the same fans that grew up to start increasingly rock radio leaning bands like Bring Me The Horizon.
“Not everybody wants to go see a shrink and not everybody wants to sit around and wallow,” Soriano observes. “Our music can be therapy. It is what helps someone get through something. I attest all of our success to keeping three things important: the music, the show, and the fans.”
clawed their way to the top of the Hollywood music scene to become the
undisputed darlings of the Sunset Strip. Now, they are poised to take
on the rest of the world.
Fronted by Carla Harvey and Heidi Shepherd, and backed by Henry Flury
on lead guitar (Amen), Jason Klein on bass (Azdachao), and Chris
Warner on drums (Scars of Tomorrow), the Butcher Babies dish out
brutal grooves that attack the crowd during performances that play out
like a slaughter house carnival ride.
Rock Journalist Keith Valcourt recently hailed the Butcher Babies as
"The Hottest Band in the World" in his review of a show. "The Butcher
Babies deliver a loud crashing blend of heavy metal, punk and thrash
that recalls Pantera" notes Valcourt, adding "their stage show
embodies the horror antics of Alice Cooper and Rob Zombie. Carla and
Heidi don't merely sing: they assault the crowd with a blinding flash
of aggression and abuse. And the crowd loves them for it."
The perfect anti heroes for today's lackluster corporate music scene,
The Butcher Babies are answering the demand for a resurgence of the
days when going to a rock show was an event with their blistering
combination of theatrical presence and balls out metal.
Shortly thereafter, ISLANDER recruited bassist Zeke Vasquez (ex-ForeverAtLast), as well as newly exited Avenged Sevenfold skinsman Arin Ilejay became a permanent fixture in the band.
In February of 2016, ISLANDER “without question” partnered again with producer Cameron Webb (Motorhead, Alkaline Trio) at NRG Studios, and over the next eight weeks the newly ignited foursome got to work on Power Under Control, recording twelve original tracks that showcase the quartet’s deeper complexion.
“We would not move on to the next song until we were finished with the song we were working on,” explains Carvajal on the albums alignment. “This is an album which follows a character through a story. The songs stand on their own. If someone really wants to know the real meaning behind one of the songs, they have to listen to the song prior to the one they are listening to.”
Exploding out of the gate with “Darkness,” the track infuses spidery drum patterns and attacks with ferocious honesty. From other stand-outs like the punky workout “Green Slime Man,” the reggae-drenched outro to “All We Need,” to the swaggering rhythm of “Casket,” ISLANDER’s flavorful recipe is just as much about attitude as it is musical ingenuity.
Carvajal continues, “Our friend HR from the legendary Bad Brains is on a track called “Think It Over,” which is destined to be a live favorite with its rally cry anthem, a track encouraging the youth to take power under control, make good choices and to stay strong in this crazy world.”
“These guys might be the new force in rock,” asserted Alternative Press, as ISLANDER garnered worldwide press accolades since 2014’s breakout debut album Violence & Destruction. The group had three consecutive singles climb to the Top 25 on national rock radio charts, and their videos and streams are in the millions. These developments led to full scale tours with some of rocks elite, totaling nearly 300 shows since the debut - Korn, P.O.D., Papa Roach, Seether, Suicide Silence, Atreyu, and the 2014 Rockstar Energy Drink Mayhem Festival. “Mayhem 2014 was the first mainstream tour we did. Quickly, we learned a lot about being a band,” confesses Carvajal. “We were home less than two months within just one year.” 2015 saw ISLANDER invited to perform at some of the biggest rock festivals in the country - Rock On The Range, Aftershock, Louder Than Life, Rocklahoma and Shiprocked to name a few.
When asked if this feels like a new life for ISLANDER, Carvajal states, “We can't describe just how refreshed we feel with our new lineup. Everyone was playing in different bands, we met on tour and as we had to make some changes in the band for the better, we found ourselves with this lineup. It's our sophomore release, but it really feels like the excitement of a debut release all over again.”
“Power Under Control is the link that will find its way into the darkest parts of our fans inner selves and bring light to them.”
Sever a.k.a. Skye Sweetnam - vocal
MD13 (Matt Drake) - lead guitar
Thor (Ken Corke) - bass
The band has burst onto the Las Vegas scene behind singles "151," "Roxy" -produced by Grammy Winner Steve Thompson (Guns n Roses, Metallica, Red Hot Chili Peppers etc) - and "Diamond Boulevard."
A collision of classic 70′s festival rock with a punk swagger, their trademark sound is packing clubs and turning heads. With their exploding following and high-energy stage show, CRASH MIDNIGHT performs with all the reckless abandon of a runaway freight train and is poised to carry the torch for a whole new generation of Rock n’ Roll.
Brooklyn Bowl Las Vegas
3545 Las Vegas Blvd. South
Las Vegas, NV, 89109