The Nifty 50 All-Stars "Remix" with George Porter Jr. & Runnin' Pardners ft. Eric Lindell, Craig Dreyer, Kendra Morris, Aaron Comess + more!

Marc Millman's 50th Birthday Celebration!

The Nifty 50 All-Stars "Remix" with George Porter Jr. & Runnin' Pardners ft. Eric Lindell, Craig Dreyer, Kendra Morris, Aaron Comess + more!

Partial proceeds donated to HeadCount + The Roots of Music

Tuesday, November 13th, 2018

Doors: 6:00 pm / Show: 8:00 pm

$22.00

This event is 21 and over

This show is rescheduled from March 21st, 2018! All ticket buyers who did not refund tickets will be allowed to attend with proof of purchase

 

$2 from every ticket purchased will go to Headcount + The Roots of Music ($1 per ticket)

George Porter Jr. & Runnin’ Pardners
George Porter Jr. & Runnin’ Pardners
George Porter, Jr. is best known as the bassist of The Meters, along with Art Neville, Leo Nocentelli and Joseph Zigaboo Modeliste. The group was formed in the mid 60's and came to be recognized as one of the progenitors of funk then called R&B. The Meters disbanded in 1977, but reformed in 1989. Today the original group still plays the occasional reunions but the Funky Meters, of which Porter and Neville are still members, most prominently keeps the spirit alive.

Few bass players in the history of modern New Orleans music are as storied as George Porter Jr. During the course of a career spanning more then four decades, Porter has not only made
a deep impression with his work in the Meters, but he’s notched session work with artists as diverse as Paul McCartney, Jimmy Buffett, David Byrne, Patti LaBelle, Robbie Robertson, Tori
Amos, Taj Mahal, Ryan Montbleau and live performances with Mickey Hart, Bill Kreutzmann, Warren Haynes, John Scofield, Steve Kimock, Eric Krasno (and including recent studio releases with Warren Haynes and Bill Kreutzmann) just to name a few. Early in his career, Porter worked with seminal New Orleans artists like Allen Toussaint, Earl King, Lee Dorsey, and Johnny Adams,
Irma Thomas, The Lastie Brothers again to only name a few.

Porter is also the band leader of his own unique long term project the Runnin’ Pardners, well respected not only as a quintessential New Orleans band, the touring band continues to receive accolades on the jam band and festival scene. He has assembled some seasoned and talented musicians to join him on this project. Familiar Pardners - Brint Anderson (guitar) and, Michael Lemmler (keyboards) and rising stars on the New Orleans music scene Khris Royal (saxophone) and Terrence Houston (drums). George Porter Jr. plans to keep a smile on his face. “I feel like I am working towards something that will be remembered.”

Porter has proven to be capable of the ultimate fusion of rock, funk and R&B, and has gained recognition as one of the industry’s elite bass players. He continues to be not only an in demand performing artist but an accomplished studio musician and producer.
Eric Lindell
Eric Lindell
With his raspy, soulful voice and instantly memorable original songs, roots-rocking multi-instrumentalist Eric Lindell is a true one-of-a-kind talent. Mixing West Coast rock and swampy Gulf CoastR&B with honky tonk country and Memphis soul, Lindell creates American roots music that is both surprisingly fresh and sweetly familiar. Since his first self-release over two decades ago, Lindell has earned critical and popular acclaim, first in his dual home bases of Louisianaand Northern California and then across the country. Although influenced by American roots music from blues to country to rock, Lindell’s style is all his own. He has performed thousands of gigs in roadhouses, clubs, concert halls and festivals and has appeared on national radio and television. His live shows overflow with happy, dancing people singing the words to every song.By the time of his 2006 Alligator Records debut, Change In The Weather,Lindell had released five albums and already had earned a devoted and growingfan following. Change In The Weather, with its unforgettable songs and undeniable melodies, earned him regular radio rotation and piles of critical praise. The Los Angeles Daily Newssaid Lindell plays “passionate blue-eyed soul smothered witha big heap of New Orleans funk.” Two subsequent Alligator releases and a series of albums on other labels kept Lindell in demand and on the road. Now Lindell returns to Alligator with Revolution In Your Heart, featuring his most engaging and personal writing and his most irresistible, instantly hummable melodies.Revolution In Your Heartwas recorded at Studio In The Country in Bogalusa, Louisiana and produced by Lindell and Benjamin Mumphrey. On Revolution In Your Heart, Lindell plays everything on the recording—guitar, bass, keyboards, organ, harmonica—except drums, which are expertly played by Willie McMains. The only other musician on the record is keyboardist Kevin McKendree (Delbert McClinton, Brian Setzer Orchestra, Tinsley Ellis), who plays piano on Millie Kay. The twelve universally relatable original songs—many of them autobiographical—combine sunshiny melodies and thick, greasy grooves, and paint vivid pictures of day to day living. From the honest and sage title track to the long-ago but still fresh memories of Grandpa Jim, Pat Westand Kelly Ridge, Revolution In Your Heartfeels not only somehow immediately familiar, it’s also profoundly moving. Asked about the timeless appeal of his songs, Lindell simply says, “Music runs deep, it’s a powerful thing.”Born in San Mateo, California in 1969, Lindell spent countless hours in San Francisco, soaking up the musical sounds of the city, eventually leading him to pick up first the bass and then the guitar and harmonica. With a love of music and skateboarding, Lindell formed a few punky
garage bands early on while his musical horizons expanded. He listened to the deep blues of Buddy Guy, Junior Wells, Jimmy Reed and Albert King before drifting toward the R&B sounds of The Impressions, Stevie Wonder and Donny Hathaway, soaking up the soul and learning how to craft a song. After performing at bars on the West Coast with a few short-lived bands, Eric formed his own group in 1993. He quickly gained a loyal Northern California audience thanks to countless performances and many late-night jam sessions. Established stars like Charlie Musselwhite and Tom Waits attended his shows, as did overflow crowds of music fans.Following his muse, Lindell driftedto New Orleans, Louisiana in 1999, bringing his sound and style with him. He performed wherever and whenever possible, often playing the dive bars in Gretna and Algiers. Word of Lindell’s singular talents quickly spread around the region. Artists including Branford Marsalis and The Neville Brothers began showing up at his gigs, and some of New Orleans’ finest players, including keyboardist Ivan Neville, often joined him on stage. Galactic’s Stanton Moore and Rob Mercurio, among many area musicians,became his admirers and then hisfriends. Since 2003, in addition to his own gigs,Lindell regularly joins forces with Neville, Moore and Mercurio (when time and schedules permit) and they perform to overflow crowds as Dragon Smoke.2006’s Change In The Weatherdelighted and surprised music fans hungry for a truly original artist. Lindell’s deceptively simple sounding songs, laid back grooves and hook-laden melodies were fueled by guests including Brown, Neville and Moore. Critics across the country went wild, with reviews and features in Relix, OffBeat, Guitar Player, Down Beat, The New Yorker, The New York Pressand many other national and regional publications. Singer And Musicianmagazine put Eric on the cover and many newspaper entertainment sections did the same.2007’s Low On Cash, Rich In Loveand 2009’s Gulf Coast Highwaypushed Lindell farther into the spotlight. Appearances on Late Night With Conan O’Brienand National Public Radio’s Mountain Stagesolidified his stature as an artist who simply could not be ignored. Many of his songs have appeared in films and television shows, including Boston Legaland Treme. He has collaborated and shared stages with blues and rock luminaries, including John Fogerty, Jackson Browne, Luther Dickinson and Anson Funderburgh. With Revolution In Your Heart, Lindell was more than ready to come home to Alligator. “The timing is perfect. I’m so excited to get back to focusing on what I do and have such a great team behind me,” he says. Upon release of the album, Lindell and his band will tour heavily, reuniting with old friends and, as always, earning new fans at every stop. AllMusicdeclares Lindell a singular talent, saying, “He plays soulful, funk-drenched, tight and focused grooves. He is a quadruple threat as a solid songwriter, impressive guitarist, affecting singer and harmonica blower. This is music that’s deceptively difficult to create. Lindell makes it seem not just easy, but natural.”
Kendra Morris
Kendra Morris
Kendra Morris recalls singers who straddled soul and rock during the early '70s, such as Ruth Copeland and Chaka Khan, while her contemporaries include the likes of Mayer Hawthorne, Alice Russell, and Leela James. Morris's musical taste was developed through her parents' record collection, a library heavy on late-60s and early-70s soul and funk. During her childhood Morris's main companion was her karaoke machine, which she also used for the sake of recording. While enrolled in college in Tampa, FL, she became so involved in performing with bands that she decided to leave behind her studies and take on music full time. She took up the guitar, as well as songwriting, and eventually involved herself with a band, Pinktricity, which moved to New York in 2003 and split shortly thereafter. Morris took to recording songs on her own, and self-released a pair of EPs: This Won't Hurt a Bit (2007) and Milk and Cookies Never Lie (2008). Her first proper recording, a self-titled EP (2010), was recorded with producer and multi-instrumentalist Jeremy Page (of That Handsome Devil). After touring with legendary guitarist Dennis Coffey and releasing a series of singles which included "Concrete Waves," whose b-side was remixed by DJ Premier, Morris released the album Banshee (2012) on Wax Poetics. In 2013, Morris returned with the covers album Mockingbird.

Both Banshee and Mockingbird received critical acclaim and a cult following, with several film + tv placements. The title track "Banshee" was used prominently in the Showtime hit series Ray Donovan, while her cover of Pink Floyd's "Shine On You Crazy Diamond" found itself in the trailer for major motion picture Dead Man Down.

In between extensive international touring and promotion for Banshee throughout 2013 and 2014, Morris worked on a small side project band with friends Scarlett Johansson, Julia Haltigan and Holly Miranda, releasing one single called "Candy." After taking some time to write and record her follow up EP titled Babble, Kendra Morris will return with its release scheduled for late spring of 2016.
Aaron Comess
Aaron Comess
Aaron Comess is one of the founding members and drummer of the Spin Doctors.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

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