TAUK featuring special guests Mike “Maz” Maher & Chris Bullock (Snarky Horns) + Nate Werth (Snarky Puppy/Ghost-Note)

The Shapeshifter Tour

TAUK featuring special guests Mike “Maz” Maher & Chris Bullock (Snarky Horns) + Nate Werth (Snarky Puppy/Ghost-Note)

JAW GEMS

Friday, May 18th, 2018

Doors: 6:00 pm / Show: 10:00 pm

$15.00

This event is 21 and over

TAUK
TAUK
On their upcoming EP Shapeshifter I: Construct, TAUK tap into their singular chemistry to elevate and expand their all-instrumental blend of funk, hip-hop, progressive rock, and jazz. Revealing both their refined musicality and unbridled creativity, the Oyster Bay, New York-bred rock-fusion four-piece (guitarist Matt Jalbert, bassist Charlie Dolan, keyboardist Alric “A.C.” Carter, and drummer Isaac Teel) push into new sonic terrain and build entire worlds within each richly textured soundscape.

From the complex twisting of “For Laughing Out Loud” and soaring riffs of “Malware” to the urgent rhythms of “Stranger Danger” and sprawling melodies of “Premises,” Shapeshifter I: Construct finds TAUK introducing a rhythmically adventurous element to their craft. And while the compositions are meticulously focused, TAUK also deliver the dynamic tension-and-release jams that have helped earn them a devoted following while drawing critical acclaim (the Washington Post, for one, praised TAUK for “creating a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities”).

Throughout Shapeshifter I: Construct—the first chapter in a follow-up to their 2016 album Sir Nebula—TAUK employ a guided approach to steer their music into bold new directions. The band has sharpened their songwriting to craft more intricately layered arrangements and powerfully intense grooves. As with their past releases, TAUK created Shapeshifter I in collaboration with Grammy Award-winning producer/mixer/engineer Robert Carranza (The Mars Volta, Ozomatli, Jack Johnson, Taj Mahal). But in a departure from their previous work, the band made the new EP and upcoming full length album in one concentrated period in one location rather than moving between studios. The group brought their gear into an old house, creating a unique recording situation with a special atmosphere. Holing up in the makeshift studio, often pulling 12-hour workdays, TAUK ultimately found the revamped recording process hugely beneficial. “Everything just happened so naturally this time around,” says Jalbert. “I can’t think of one moment where it felt like anything was forced. We were all just completely focused and in the same mindset, which made this an incredibly fun and smooth experience.”

TAUK’s creative connection traces back to childhood, when longtime friends Dolan, Jalbert, and Carter formed their first band in seventh grade and held practice in their school basement. After playing together in various projects over the years, the trio brought Teel into the fold in 2012, cementing the final lineup. “We gelled pretty quickly as friends and as musicians, and now there’s a connection on stage that’s unspoken,” notes Teel. “You just feel it from the energy within the band and from the response coming from the crowd—all these people in the same exact headspace.”

Since their formation, TAUK have shared stages with an impressive list of bands (including Umphrey’s McGee, Widespread Panic, Lettuce, and Robert Randolph) in addition to appearing at festivals like Electric Forest, Bonnaroo, and The Allman Brothers’ Peach Music Festival. That rigorous touring schedule has gone a long way in strengthening their chemistry, according to Carter. “We’re doing over 100 shows a year and we pretty much live with each other, so there’s a healthy respect and trust and love happening there,” he says. “We all have a common goal and an understanding that this is something we’re compelled to do, and that’s definitely brought us close together.” It’s also helped TAUK develop a reputation as a masterful live act: “TAUK is unstoppable,” raved Live for Live Music. “If you haven’t see them, dear God, go.”

Preparing to hit the road again for a spring tour (with upcoming dates including a two-night stint at the Brooklyn Bowl and spots on the Boston Calling Music Festival and Sweetwater 420 Fest and EP Release shows in Ft Collins and Denver on 4/6 and 4/7), TAUK is focused on instilling their live show with the same kinetic energy and boundless passion that powered the making of Shapeshifter I. “Growing up together as musicians and collectively going on this journey—that’s what makes this experience really special,” says Jalbert of TAUK’s continued evolution. “It’s like everything we’ve learned over the years has been funneled into this band, and now it’s taking shape in a really exciting way. We all love what we’re doing, and the band just feels like home.”
JAW GEMS
JAW GEMS
Electronic outfit, Jaw Gems, is a Portland, Maine-based collective of young, experimental producers bringing beat-music—traditionally programmed and played on samplers—to a live band setting. Combine legendary beat-makers like J Dilla and Flying Lotus with indie rock and electronic icons like Deerhunter and Washed Out, add Radiohead’s dreamy ambience and you begin to approach what is Jaw Gems.

“Dilla is the common thread for how we all met and how we began playing together.” Says keyboardist Hassan Muhammad. “Not many people in Portland knew about him seven years ago, so through various friends we were all pointed out to each other and we were blessed with the opportunity to hold a weekly residency at a bar, playing all the stuff we liked and getting increasingly weird.”

Since their start in 2009 the band has been exploring sonic and rhythmic ideas that emphasize interlaced melodies and heavy grooves. First outfitted solely with dueling vintage synthesizers, a drummer, and an electric bassist, Jaw Gems have now incorporated a Roland sp404 and the Juno 106 analog synth, going on to employ the beat-repeating, sample-warping technologies of the present to help create their wall of sound. Armed with new gear, Jaw Gems were able to evolve their beats, trigger intricate samples, and alter sounds in an increasingly advanced way. “You can do so much with these devices and we all have our own ways of using them” muses Muhammad.

This August, Jaw Gems will release their second album, HEATWEAVER via STS9’s 1320 Records. The 14-tracks create a thickly-layered transcendental auditory world—a meticulously crafted collection grounded in a modern electronic aesthetic. HEATWEAVER melds neck-breaking hip-hop, bright synthesizers, and nostalgic atmospheres, while simultaneously touching on elements of psychedelic funk, neo-soul, and punk-rock.

Jaw Gems’ likes to keep their recording relaxed, and their creative process diverse. Setting up shop in a makeshift home studio, the band hunkered down and let their songs come to life over the span of a week. “We like to make a retreat out if it” says drummer DJ Moore. “Making music is how we chill, and the album naturally unfolded once we were all committed to being in the same place together for some time.” The title itself came from thinking of the album visually. “We thought abut what images the music evoked throughout the whole process, and when “heatweaver” was said it was something we all felt embodied our sound.”

Put four beat makers in a room together for a week, and the pour-out of ideas could be endless. “As we develop as individual musicians each of our sounds morph and evolve in different ways, so when we come together to record we all bring something new to build upon.” (Moore.) In this case, Jaw Gems was left with a solid compilation attesting to their evolution as tenacious genre-bending producers. “Jaw Gems have done the magic trick of delivering a thoroughly listenable instrumental album that you can also sing along to” says electronic musician Daedelus.

Perhaps it’s this uninhibited sound that has also attracted the likes of other notable musicians: T3 of J Dilla’s Slum Village calls HEATWEAVER “mad fresh.” Lettuce drummer, Adam Deitch says, “The swing that J Dilla made famous on an MPC beat machine in the late 90s is embedded in Jaw Gems’ musical DNA, just as much as soul and funk.” Lyle Divinsky of Colorado’s The Motet has declared them his “new favorite band” and describes their sound as “a completely unique brew of hip-hop, jazz, funk, avant-garde, and classical music, steeped in originality and psychedelia.”

Since the release of their debut album, Blades Plural, Jaw Gems has gone on to share stages with icons such as STS9, Lettuce, and Daedelus. Stay tuned for a full tour announcement coming soon.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

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