Dean Ween Group

Noisey Weekend

Dean Ween Group

with very special guest Delicate Steve, Keith Kenny

Saturday, March 31st, 2018

Doors: 6:00 pm / Show: 7:25 pm

$22.00

This event is 21 and over

Dean Ween Group
Dean Ween Group
The Dean Ween Group will be hitting the road this Spring in celebration of the release of its sophomore album, Rock2. The new album is being released worldwide March 9, 2018 by Schnitzel Records as limited editions of 180 gram colored vinyl with gatefold sleeve and specially colored CD in digi-pac respectively as well as via digital retailers and streaming services. Dean Ween – aka The Deaner – recorded the album at his dedicated studio facility in Lambertville, NJ, across the river from his native New Hope, PA. Here’s how the Deaner describes the genesis of this new body of work:

“A lot has changed since I released my first ‘solo album’ a couple of years ago.

“Since 1984, I dedicated my life to recording in all of my free time. Later on, after living with Aaron for a few years, I moved into an apartment with my girlfriend (who is now my wife; Hi baby!) She would get up at 5:30 am to go to work teaching and I would record all day while she was gone. When she came home I would stop. When she went to sleep I’d go over to Aaron’s place at Brookridge Farms and record all night with him, or Guy Heller, or Billy Fowler.

“30 years later and I’ve found myself back at that same place, at a different address, with the best equipment money can buy. See, that’s the thing about being a musician (I dare not call myself an artist, although technically I guess I am). Anyway, success affords you better tools for your trade—money buys you time as well. There are no excuses when you have shit like Neve consoles and Neumann microphones, that shit is there to be used.

“For 4 years now I have been in my studio recording all day and all night, every day and every night when I’m not on tour. A song-a-day sounds far-fetched I know… we usually average at least 2 per day. Sorting through all of this has become a task unto itself, I still haven’t caught up or begun to catalog everything I’ve done since 1984 so there is a log jam in the filing and archiving process.

“This album is a snapshot of the fall of 2016——there have been a lot of tunes recorded before then and even more since then, but this is my second official solo album. These were written for this sole purpose and recorded with the entire lineup: the best band in the world, Ween — Claude Coleman Jr., Dave Dreiwitz, and Glenn McClelland, also the other best band in the world, the lineup of the DWG — Mike Dillon, Bill Fowler, Ray Kubian, Scott Rednor, and the other 50 members and usual suspects.

“I’m pretty proud of this one; it represents the first time that I was able to take what we do onstage and put it on a record. 2017 is a strange time to be a musician, live music is really your main outlet for making a living. I never thought at this stage of my career that I would be putting in this much time on the road and in the studio, but I am, and I’m enjoying it more than I ever have. The only difference now is that my wife tells people that I “work nights” and even with all of that time I put in recording while she was at work or asleep, it’s nothing compared to the amount of time I spend now, and the music is way better for it.

“Take a peek into a couple of months of that groove with this album, Rock2. Every little thing I’ve ever learned is somewhere on here, somewhere. Maybe you can find a little piece of it that means as much to you as it does to me. There are many more albums like this one sitting on magnetic recording tape at my studio, but this is a glimpse of a couple months of writing and demo-ing, and about 2 weeks of tracking with the band.”

2016 saw the release of The Deaner Album the Dean Ween Group’s debut album. The album was recorded in several locations but finished it at his dedicated studio facility in Lambertville. The Dean Ween Group formed about four years ago as a way for The Deaner to get back into live performance.

The Deaner has contributed to numerous projects helmed by his close friend Josh Homme including albums by Queens Of The Stone Age, Mark Lanegan and The Desert Sessions as well as working with Yoko Ono, Ben Vaughn and many others.

He also hosts the weekly “Invitational Jam” at the venue John & Peters in New Hope. Musicians who sign up for this perform with the house band which often consists The Deaner, the instrumental backbone of Ween, Mike Hampton (Parliament-Funkadelic), Vincent Martell of Vanilla Fudge, and many others. Players fly in from all over the country to get in on the action. He also holds a captain’s license and run his own charter fishing company out of Belmar, New Jersey.

For more than 30 years, Dean Ween has been best known as the guitar-slinging partner of Gene Ween in the international cult band Ween. Dean and Gene formed Ween as middle-school students in 1984 and released nine studio albums (five on Elektra Records) and six live albums before going on hiatus in 2012. The group reunited in 2016 and have been regularly performing live since.

http://thedeanweengroup.com/

DEAN WEEN GROUP SPRING TOUR

MARCH 21 wed Indianapolis Hi Fi
MARCH 22 thu Detroit Majestic Theater
MARCH 23 fri Cleveland Beachland Ballroom
MARCH 24 sat Cincinnati Ballroom at the Taft
MARCH 27 tues DC Black Cat
MARCH 28 wed New Haven Ballroom at Outer Space
MARCH 29 thu Boston Brighton Music Hall
MARCH 30 fri Philadelphia Theater of Living Arts
MARCH 31 sat Brooklyn Brooklyn Bowl
with very special guest Delicate Steve
with very special guest Delicate Steve
THIS IS STEVE

When the world first met Delicate Steve in 2011, Steve Marion and the band he principled were an artfully crafted fiction. Tasked with introducing Wondervisions, Delicate Steve’s beguiling debut record of highly evocative and emotionally concise guitar-driven songs, Luaka Bop, the seminal David Byrne-owned New York indie label, balked. There was the music to get to; itself essentially reference-less and unqualifiedly unique. But what of the guy who created it? The guitarist who wrote the whole thing, who played every instrument. An enormous unknown talent without an attendant backstory to match the spectral and boundless qualities of his music. Enter Chuck Klosterman. The celebrated writer was brought on to completely fabricate a biography based on a band and album he was asked not to listen to.

While the record racked up high praise from outlets including The New York Times and NPR, nearly everything music fans read about Delicate Steve was a fiction. Listeners were left to the music alone to determine who Steve was.

As is often the case, some of the first people to recognize Delicate Steve’s music were fellow artists who became vocal supporters, as the young guy from upstate New Jersey began to develop a growing fanbase in small New York clubs like Glasslands, Union Pool, and Mercury Lounge. Following the 2012 release of Positive Force, Delicate Steve had cornered the status of ‘your favorite band’s favorite band’, as Steve himself became a fixture in and an on-demand collaborator among disparate scenes, players, and bands, making some of the most celebrated and forward thinking music today: Co-signs and work with David Byrne, Dirty Projectors, tUnE-yArDs, Mac DeMarco, Dr. Dog, and elder statesmen like Lee Ranaldo and Built to Spill. Likely the only guitarist alive who will cut records with Sondre Lerche and Death Grip’s Zach Hill. Handpicked to open a sold out North American tour for Tame Impala. And most recently, providing guitar on Paul Simon’s new record.

These wild artistic relationships came to be because Steve happens to be one of the most talented songwriters and guitarists currently working. But they are also a direct reflection of the person, the soul of a guy any artist or fan who’s met him will identify immediately. It’s the same soul that fills his songs.

This is Steve, Delicate Steve’s first new record in 4 years, and first for the ANTI- imprint, is an articulation of this spirit. Joy. Love. Positivity. Perseverance. Meditation. A general communion with the people and world around him. Easy to call such things hackneyed in this cynical time, but in Steve’s case, it’s very hard to separate the person from the art. It’s real. It’s pure. This, is Steve.

Melody begins with the needle drop on This is Steve, and it’s this hallmark as a songwriter on display in tune after tune that has defined all of Delicate Steve’s work. It’s his incredible capacity to write wordless songs that are impossible not to sing along to. He works in no genre, there are no words, but there is never a question as to what he is saying.

Tunes like “Animals,” “Help,” and “Nightlife,” establish their hooks immediately, and drop you with Steve as he runs alongside leopards, scales a Western peak, nurses a boozy Kingston come-down, before clocking out at under three minutes and depositing you somewhere else on a technicolor continuum. Throughout the set, Steve’s guitar melodies rise and crest, unguarded expressions of wonderment and positivity.

Steve produced and played all the instruments on this record. He created it as an introduction from himself to you, and named it appropriately. If there is a question as to who This is Steve’s creator is, you’ll find it imbued in these ten songs. As he has done from the start, Steve lets the music speak for itself. Without a word.
Keith Kenny
Keith Kenny
If the audience at a Keith Kenny show were to close their eyes for the performance they would swear that there was a full band on stage. Kenny's fans, however, are too busy dancing to the one-man act's layered guitar riffs, foot stomping percussion, blues harp and emotionally charged vocals to even think about looking away. His latest release "And the light came blaring in..." showcases a dynamic musical deliverance with an influential voice that lies somewhere between Neil Young and Ben Bridwell. Check out the new album and upcoming tour dates at www.KeithKenny.com
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

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