Lee Fields & The Expressions

Lee Fields & The Expressions

Ikebe Shakedown, The Shacks, Limited Lane Availability until 8:15pm

Friday, December 15th, 2017

Doors: 6:00 pm / Show: 8:00 pm

$20.00

This event is 21 and over

Tickets for 12/16: Click Here!

Lee Fields & The Expressions
Lee Fields & The Expressions
"I feel that every human being's purpose is to do what their inner voice says to do," says Lee Fields. "And my inner voice, my driving force, wants me to put out music and keeping making better records."

Apologies to the late, great James Brown, but you'd be hard pressed to find another singer who's ever worked as hard as Fields, a man who's been making soul and funk anthems since 1969.

Since that time, Fields has toured the world with musical legends like Kool and the Gang, Sammy Gordon and the Hip-Huggers, O.V Wright, Darrell Banks, and Little Royal. Recorded with French house DJ/producer Martin Solveig. And somehow found a newer, younger audience and become more prolific as the years transpire.

"In a curious case of musical evolution, the older Fields becomes, the closer he gets to perfecting the sound of soul that he grew up with as a young man," noted NPR music writer Oliver Wang (and that was back in 2009).. Now Fields returns with his most triumphant and honest record yet, Special Night, recorded with The Expressions and released on Brooklyn's Big Crown Records.

Special Night follows the the critical success of his Truth & Soul recordings My World, Faithful Man and 2014's Emma Jean -- the last one American Songwriter hailing as "more than just a stroll down memory lane ... it's the sound of a man who understands his musical strengths and plays to them with class, authority and soul searching intensity."

You'll hear Fields flexing those strengths on Special Night. There's some JB-style funk on there. And hints of Stax, Chess, Fame and Motown.

But this is not a throwback. Possessing a voice that's equally raucous and tender, Fields crafts a truly honest, soulful work. "This is a record about what people do in real life," says the singer. For one example, he cites the yearning "Work to Do," which entails a "a guy going to counseling, drinking too much, apologizing to the old lady and trying to keep family together, doing the manly thing."

Adds Fields: "When I record, I make every song like I actually mean it. I mean every word I say. On Special Night I'm talking to my lady -- literally, expressing the way I feel. You can tell if a song is real or not. And every moment I'm recording, those moments are real."

Meanwhile, album standout "Make This World" works both as militaristic funk and a cautionary tale about the health of the planet. "The world was designed to last indefinitely," says Fields.

"And we're the only living species on Earth who can alter that process. I'm hoping that song has a chain reaction, helps somebody put into action whatever contribution they can to change what the world is going through."

Fields and his six-piece band will tour in the fall, where he notes the audiences seem tgrowing and changing. "I'm seeing a younger crowd," he notes. "And that's a blessing."

As for his late success? Fields regrets nothing. "I was already talking to myself in the beginning of my career about the end of my career," he says. "I was a little naive, so I told myself, 'Think about the future in every song you make. Make things you can live with. Everything you do has consequences.' And today, I live like I've always lived."

A credo that continues with Special Night. "All the songs on that record have special meaning," he says. "I hope people take a good listen to it and find the magic."
Ikebe Shakedown
Ikebe Shakedown
Ten years ago, Ikebe Shakedown began pushing the boundaries of instrumental music. Each new track and live set has sent them deeper into combining the foundational elements of ’70s soul, raw psychedelic style, and cinematic Western soundtracks with powerful grooves and soaring melodies. 

With their new release, Kings Left Behind on Colemine Records, the band is giving listeners more mystery and majesty than ever before. The album features the entire group writing together, allowing each instrument and element to shine through.You'll find rhythms that punch you right in the gut, even as dreamy guitars and lush horn melodies and string arrangements capture your imagination. 

Kings Left Behind was recorded by Ikebe's bassist, Vince Chiarito, at Hive Mind Recording, a Brooklyn studio built from the ground up and co-owned in part by Vince and the band's saxophonist, Michael Buckley. Since it opened in 2017, Hive Mind has become a home base for the band, giving them the freedom to experiment with the textures and sounds of a genre they define as Instrumental Soul. 

No matter how much things have changed over the past decade, Ikebe Shakedown has been a consistent, driving force. The band has gone from local clubs to the stages of Bonnaroo and Austin City Limits, playing with some of the biggest names in music. They continue to stretch their capabilities and add to their worldwide following. And with no signs of slowing down, fans can only imagine what comes next.
The Shacks
The Shacks
Fronted by 20-year-old singer/bassist Shannon Wise and 21-year-old guitarist/producer Max Shrager, The Shacks are already well on their way to becoming one of the year’s big breakouts, and their remarkable debut album, ‘Haze,’ solidifies their status as a band with ability to deliver on the well-deserved buzz.

When Max and Shannon met in high school, a bond was created that has permeated their music since the Shacks first incarnation four years ago. That chemistry lies at the heart of ‘Haze,’ a record so hypnotic and seductive that it feels more like a whispered late-night secret than a young band’s debut. Produced together by Shrager and Big Crown co-founder Leon Michels (who’s played with Bradley, Sharon Jones, and Fields in addition to working with The Arcs, Lana Del Rey, and countless others), the album was recorded in bits and pieces between Shrager’s basement and Michels’ Diamond Mine studio, which the Observer dubbed “the Shangri La of Soul.”

‘Haze’ opens with the title track, which is, appropriately enough, the first song Shrager and Wise ever wrote together. It’s a spare, smoky tune that shimmers and sparkles as it shifts in and out of focus, and it’s an ideal gateway into the immersive world of The Shacks. On the breezy “Follow Me,” they channel the infectious charm of a 60’s girl group, while the soulful “My Name Is” grooves its way through a mesmerizing take on 70’s funk. Much like a dream, the songs often merge the familiar and the unfamiliar, constructing their own psychedelic reality full of beauty and yearning, all fueled by Wise’s breathy vocals and the unmistakable electricity of a wildly creative band truly inhabiting their music. “Birds” makes brilliant use of Daptone drum hero Homer Steinwess’s impeccable feel behind the kit, while the 50’s ballad-meets-baroque pop of “Cryin’” tips its cap to Roy Orbison and John Lennon as Shrager takes over lead vocals, and the soulful shuffle of “Texas” belies a dark and violent undercurrent ripped from the headlines. Through it all permeates an unshakable sense that this is a group performing just for you. “Nobody” finds the Shacks re-interpreting Phil Spector’s Wagnerian approach to rock & roll, complete with sweeping strings and darkly innocent lyrics. The 13 songs featured on Haze plays out like the soundtrack to some long lost 16mm film, beckoning you into their grainy, saturated world of analog beauty.

In the short time that they’ve been together, The Shacks have already made an impressive mark. Their hypnotic cover of Ray Davies’ “This Strange Effect” soundtracked a global iPhone commercial, one which actually stars Wise herself, and their self-titled EP earned the band dates with St. Paul & The Broken Bones, Chicano Batman, and their Big Crown Records labelmates Lee Fields & The Expressions.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

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