Too Many Zooz with special guest Dillon Cooper!

Too Many Zooz with special guest Dillon Cooper!

Marvel Years

Friday, April 28th, 2017

Doors: 7:00 pm / Show: 9:00 pm (event ends at 11:30 pm)

This event is 21 and over

Tickets available at the box office $20 cash only

This event is 21+

Too Many Zooz
Too Many Zooz
At the 2016 CMA Awards one sound burst from the stage like a thunderquake. As Beyoncé performed "Daddy Lessons" accompanied by Dixie Chicks and Too Many Zooz -- the New York City trio which originally recorded the song on the star's Lemonade album -- TMZ brought the sound of the street to Beyoncé's glittering musical declaration. Glued to their smart phones, tablets, and TVs, America beheld Too Many Zooz' innovative polyglot style.

Beyoncé and Dixie Chicks sashayed the song's verses in a rollicking country vibe, but as the performance neared midpoint, a tall, burly baritone saxophonist with a luminous white pompadour took the stage like a bar-walking gladiator. TMZ's Leo P danced, shimmied, and shaked, matching Beyoncé move for move, while blowing growling saxophone notes that infused urban funk to "Daddy Lessons"' two-beat country jig. TMZ trumpeter Matt Doe and drummer King of Sludge performed on the stage's backline as a blaring brass line raised "Daddy Lessons"' intensity, followed by Beyoncé and Dixie Chicks slamming song's political theme home.

Too Many Zooz's saxophonist Pellegrino, trumpeter Matt Doe, and drummer King of Sludge held Nashville's Bridgestone Arena stage for mere minutes, but the same talent that moved Beyoncé to have the group record both "Daddy Lessons" and "Formation" on Lemonade has seen TMZ sell thousands of CDs and downloads, and inspired viral videos.

Too Many Zooz's manic music, dubbed "BrassHouse" by drummer King of Sludge, is an irresistible rocket that combines styles more diverse and far-flung than any international space station. As heard on the group's EPs -- F NOTE, Fanimals, Brasshouse Volume 1: Survival of the Flyest, The Internet, and the LP, Subway Gawdz -- Too Many Zooz creates a visceral smack-to-the-senses. TMZ's BrassHouse summons EDM, house, techno, and glitch, paired to the indigenous punch of Cuban, Afro-Cuban, Caribbean, and Brazilian Carnival rhythms. TMZ's music is further heightened by the dancing and saxophone soloing prowess of Pellegrino, virtually a bionic Pepper Adams. Like Nortec Collective mashed with Daft Punk by way of a mad sonic scientist, Too Many Zooz has conquered New York City -- your headset's resistance is futile.

"We pride ourselves that nearly every person of every color, creed and background and upbringing can find something in our music to relate to," Matt Doe says. "Someone from Cuba can say 'I hear Cuban music in the cowbells.' Someone into death metal will enjoy it next to a grandmother who hears it as old swing music. Others hear Klezmer. Whatever people want to hear in our music they can seemingly find it."

Many New Yorkers discovered Too Many Zooz at the Union Square subway station, where the trio began busking in 2014. After one of TMZ's videos went viral on Reddit, creating almost a million fans, sales of the band's digital downloads and CD sales skyrocketed.

If TMZ's music wasn't already electrifying, Leo Pellegrino's dance moves, which spin like a Zoot-suit wearing swinger, add visual thrills to the band's musical mastery. A classically trained musician, Pellegrino began dancing as both expression and rebellion. What Beyoncé loved is now available to all.

"Horn players, especially baritone saxophone players, look so lame on stage!" Pellegrino notes. "I just watched an NBA half-time show and this band's horn players were killing my eyes. I wondered 'why does the horn have to be such a lame instrument visually?' I began dancing in the subway and people loved it. I realized that I had been brainwashed, all my teachers telling me not to move. I'd been told that was improper technique, but that became my key to success."

Too Many Zooz's songs are marvels of simplicity born of musical complexity. Pellegrino, Doe, and King of Sludge condense multiple -- what might be considered clashing styles -- into a riveting jackhammer brew. King of Sludge's staccato eighth-note rhythms performed on a unique bass drum/cowbell/jamblock/cymbal setup forms the music's gritty rhythmic bed. Matt Doe's trumpet provides melody and harmony, while Leo Pelligrino's saxophone follows rhythm directions and solo revelry.

"I don't like using standardized terms when describing our music," Matt explains. "We're all doing things that are out of the ordinary. I provide the synth sound you would hear in a dance track. Leo plays saxophone but he's also providing the bass sound you would hear in electronic music. When Leo solos, it's like a breakdown when the bass is the featured element of the band. I don't solo per se, but I am playing nearly the entire show. It doesn't make sense for me to play more!"

TMZ's seeds were formed when Indiana native King of Sludge, and Boston-born Pellegrino played in subway busking band, Drumadics. Fellow Manhattan School of Music classmate and Pittsburgh native Doe played in various ensembles with Pellegrino, the threesome eventually busking together by chance -- their chemistry sparking an instant bond.

"From the start, we were all bouncing off each other, listening to each other and not thinking too much," Doe says.

TMZ have collaborated with Galatic, Kreayshawn, Jerry "Wonda" Duplessis, and, of course, Beyoncé.

"Knowing that Beyoncé enjoys our music on her own time?" ponders King of Sludge. "That's a great thing."

What's next for TMZ? The trio's upcoming EP will feature a rawer sound, the group returning to their original roots, and most likely, their original 14th Street subway station.

"When we began, it was just trumpet, saxophone and drums," Leo says. "Our first EP was pretty straight up, then we added production and guests and vocalists on Subway Gawdz. This next EP is back to our roots."

Does TMZ recommend the subway path to stardom?

"The subway, then videos and Beyoncé helped propel our popularity," Matt says. "The subway is a great promotional vehicle. There's nowhere else that you can reach such a wide demographic. If you want to get out and be seen and up your numbers, go to the subway. That's always part of our business plan".
Marvel Years
Marvel Years
Cory Wythe, the producer and guitarist better known as Marvel Years, has found a welcome place for himself within the increasingly popular glitch-hop / electro-soul dance music scene. In just a short period of time, his progression has become outright impossible to ignore. Much more than your average DJ/producer, Marvel Years is an incredible guitarist that shreds well beyond his years. His approach to blending electronic beats and shredding soulful guitar on his original tracks and remixes creates a sound that is a unique hybrid of EDM combing glitch, retro-funk, classic rock, soul, jazz and hip-hop. “Classic rock has been a huge influence on me,” Wythe explains. “I love breathing new life into those older songs. I think that’s a good medium for bringing new listeners into my music because they can relate to that stuff. I improvise (on live guitar) over a lot of my stuff.”

While Marvel Years continues to make a name for himself, it was inevitable that he caught the attention of other prominent artists in the scene. His very first-ever live performance supporting Pretty Lights in Boston, MA (July 2013) has only been followed with an impressive amount of success and opportunities. In August 2013 he made a surprise guest appearance performing two of his tracks along side Mikey Thunder at Pretty Lights sold out Red Rocks show. Later that year, he was invited to hit the road on a multi-week bus tour as support for GRiZ’s Rebal Era Tour. Then, in the fall of 2013, Cory was offered an opportunity to do an official remix for Pretty Lights – “Where I’m Trying To Go” that was released on December 10 on ‘A Color Map of the Sun Remixes‘.

Spring 2014, Marvel Years embarked on his first ever national tour (along with fellow up-and-comers Krooked Drivers and Muzzy) playing smaller venues and clubs in fourteen new markets on the “Retro Electro Tour”. Later that year he was invited to join The Floozies and Exmag on the “Back On It Tour”. Additionally, he was added to an impressive number of events and festivals where he captured the attention of new listeners with his increasingly popular and fresh sound.

2015 continues to provide an incredible amount of opportunity for the constantly evolving artist. In January, he blew the audience away at the Best Buy Theater in New York City supporting another one of his biggest influences – Gramatik. His calendar stays full as he has been and is scheduled to play with artists such as Manic Focus, Break Science, and Exmag. Just recently, he performed a set supporting a near sold-out House of Blues Chicago show – in addition to performing as the guitarist for the debut of the headlining act, Manic Focus Live Band.

Marvel Years is a kid with a dream, the talent, and the drive to make big moves… and those paying attention are witnessing history. His releases, impossible not to love, are primed and ready to help you forget your troubles and drift you into a happier state of mind. Keep your eye on this fresh artist who has those smooth funky grooves on lock and become marveled yourself.

“Cory Wythe does not have a ceiling when it comes to the art of remixing, as he is known for taking natural classics and turning them into burning supernovae that no human can fight the urge to let go and dance their asses off.” – The Untz
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

Just Announced

More Shows

See All Shows>

Search Shows

Join the Mailing List