TAUK

Album Release Party + Mondo.NYC Showcase

TAUK

Lespecial, Gowanus

Friday, September 16th, 2016

Doors: 6:00 pm / Show: 8:00 pm (event ends at 1:01 am)

$12.00 - $15.00

This event is 21 and over

Tickets available at the door starting at 6PM. $15 cash only. This event is 21+

Tickets for 9/17: Click Here

TAUK
TAUK
On their upcoming EP Shapeshifter I: Construct, TAUK tap into their singular chemistry to elevate and expand their all-instrumental blend of funk, hip-hop, progressive rock, and jazz. Revealing both their refined musicality and unbridled creativity, the Oyster Bay, New York-bred rock-fusion four-piece (guitarist Matt Jalbert, bassist Charlie Dolan, keyboardist Alric “A.C.” Carter, and drummer Isaac Teel) push into new sonic terrain and build entire worlds within each richly textured soundscape.

From the complex twisting of “For Laughing Out Loud” and soaring riffs of “Malware” to the urgent rhythms of “Stranger Danger” and sprawling melodies of “Premises,” Shapeshifter I: Construct finds TAUK introducing a rhythmically adventurous element to their craft. And while the compositions are meticulously focused, TAUK also deliver the dynamic tension-and-release jams that have helped earn them a devoted following while drawing critical acclaim (the Washington Post, for one, praised TAUK for “creating a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities”).

Throughout Shapeshifter I: Construct—the first chapter in a follow-up to their 2016 album Sir Nebula—TAUK employ a guided approach to steer their music into bold new directions. The band has sharpened their songwriting to craft more intricately layered arrangements and powerfully intense grooves. As with their past releases, TAUK created Shapeshifter I in collaboration with Grammy Award-winning producer/mixer/engineer Robert Carranza (The Mars Volta, Ozomatli, Jack Johnson, Taj Mahal). But in a departure from their previous work, the band made the new EP and upcoming full length album in one concentrated period in one location rather than moving between studios. The group brought their gear into an old house, creating a unique recording situation with a special atmosphere. Holing up in the makeshift studio, often pulling 12-hour workdays, TAUK ultimately found the revamped recording process hugely beneficial. “Everything just happened so naturally this time around,” says Jalbert. “I can’t think of one moment where it felt like anything was forced. We were all just completely focused and in the same mindset, which made this an incredibly fun and smooth experience.”

TAUK’s creative connection traces back to childhood, when longtime friends Dolan, Jalbert, and Carter formed their first band in seventh grade and held practice in their school basement. After playing together in various projects over the years, the trio brought Teel into the fold in 2012, cementing the final lineup. “We gelled pretty quickly as friends and as musicians, and now there’s a connection on stage that’s unspoken,” notes Teel. “You just feel it from the energy within the band and from the response coming from the crowd—all these people in the same exact headspace.”

Since their formation, TAUK have shared stages with an impressive list of bands (including Umphrey’s McGee, Widespread Panic, Lettuce, and Robert Randolph) in addition to appearing at festivals like Electric Forest, Bonnaroo, and The Allman Brothers’ Peach Music Festival. That rigorous touring schedule has gone a long way in strengthening their chemistry, according to Carter. “We’re doing over 100 shows a year and we pretty much live with each other, so there’s a healthy respect and trust and love happening there,” he says. “We all have a common goal and an understanding that this is something we’re compelled to do, and that’s definitely brought us close together.” It’s also helped TAUK develop a reputation as a masterful live act: “TAUK is unstoppable,” raved Live for Live Music. “If you haven’t see them, dear God, go.”

Preparing to hit the road again for a spring tour (with upcoming dates including a two-night stint at the Brooklyn Bowl and spots on the Boston Calling Music Festival and Sweetwater 420 Fest and EP Release shows in Ft Collins and Denver on 4/6 and 4/7), TAUK is focused on instilling their live show with the same kinetic energy and boundless passion that powered the making of Shapeshifter I. “Growing up together as musicians and collectively going on this journey—that’s what makes this experience really special,” says Jalbert of TAUK’s continued evolution. “It’s like everything we’ve learned over the years has been funneled into this band, and now it’s taking shape in a really exciting way. We all love what we’re doing, and the band just feels like home.”
Lespecial
Lespecial
Lespecial- the hosts and curators of lespectacle- celebrate the 7th edition of this multi-media event with the release of cheen, their second album. Pole vaulting over traditional genres, cheen is a snapshot a band finding a remarkable creative stride, fearless in their pursuit of a synthesis of the diverse musical idioms that have inspired them as listeners and artists.

These three childhood friends from Connecticut—now based in Boston and New York—play off of a lifetime of shared experience in their writing and performance. In a power trio, it's essential that each of the players can utterly captivate you at any given time. Each individual has a lot of weight to carry and is only as strong as the weakest link. In the studio, as on stage, it seems at first blush that Jon Grusauskas—delivering lyrics that call for your attention and seamlessly moving from guitar to keys to samples—is handling the entire upper end of the spectrum… until you consider how broad the melodic embrace of rhythmatist Rory Dolan and low end wizard Luke Bemand. Injecting splashes of color and wicked chops into their heavy groove foundations or driving assaults, this dynamic battery simultaneously eases and propels lespecial through the fractious changes of cheen’s mood and tempo.

In a traditional sense, cheen is a risky album: it asks the listener to suspend a categorical approach and dig into their own eclectic unconsciousness, to adapt a phrase, and appreciate the flow of the record from start to finish, as it moves guided by an unseen plan. If there is an underlying thematic structure, it is one that is anchored—musically and lyrically—by horror flicks, 1980s video games and lespecial’s indictment of the current cultural state of affairs. Not overtly political, angry or morose, by any means, cheen seems to observe the zeitgeist and respond to it in songs like “Stolen Land”, “American Apocalypse” and “Sound That We Do”, the last of which features the celebrated Bay Area hip hop wordsmith Zion I. Meanwhile, the band winks at Mario Brothers in the J Dilla inspired “Donut Ghost House” tracks that bookend the album. In between can be heard pensive indie rock that evokes Flaming Lips and Radiohead, down-tempo apocalyptic dub trances tinged with hints of Tool, polyrhythmic technicality a la Belew-era King Crimson and a penchant for all things Nine Inch Nails. This from a band that released an exclusive single through The Untz—one of the premier outlets for “EDM” producers—a month before announcing cheen, then did an interview with a metal mag a week later, and that can get weirdly funky with a nod to Primus.

lespecial’s willingness to take this risk of presenting an album full of flavors and feels is a reflection of the respect they have for their fans, present and future: they simply don't underestimate the listener, and that itself is refreshing, bringing about comparisons to The Clash, who destroyed every boundary they came across, working reggae, dub, funk and folk ballads into the socially and politically relevant punk rock they had come to personify. Here at another turning point in music and culture, lespecial has taken a huge step towards that goal of synthesizing their own varied and divergent influences, regardless of the seeming incongruity of the elements, and captured a snapshot of their generation, their cultural climate, and what that all sounds like...
Gowanus
Gowanus
Gowanus is an experiment rock quartet that has its origins in the neighborhood surrounding the toxic Brooklyn waterway that shares its name. Using traditional analog instrumentation in combination with digital effects and sampling, the group creates a unique sound that infuses elements of jam-based improvisation, electro-funk and straight up the middle American rock 'n roll.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

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