Over the years, bassist Mikal Cronin has been a vital cog in a variety of bands, perhaps best known as the McCartney to Ty Segall’s garage-rocking Lennon. But he’s also made a name for himself with three excellent self-titled solo albums, including this year’s terrific MCIII (stream it below). Out on the road in support of it, Cronin (below, performing “Made My Mind Up” for KEXP FM) comes to Brooklyn Bowl on Saturday night. And before getting here, he answered some questions for Knockdown Alley.
Which band have you seen play live the most often (excluding bands you’ve toured with)? I did tour with them, but before I did I would
go see Thee Oh Sees any time I could. Same with White Fence.
I never toured with Grass Widow but saw them every chance I got when they were around, so I’ll go with them.
What’s the best part of playing New York City? And what’s the toughest part of playing New York City? It’s always fun and usually the biggest crowd in the country for us. Great food and lots of friends there. Driving a van around and parking isn’t fun.
Do you notice if your music is received any differently in
New York City than it is elsewhere? And does performing live here have any special significance? I couldn’t say that I notice a
different reaction, but I will say that the first time I played a show in NYC, it seemed like a huge deal that our little band traveled all the way
across the country to play in the cultural hub of the U.S. I think my first show was at Death by Audio (RIP).
Is touring in support of one of your own albums any different than when you go on the road for someone else’s? (Like for Ty Segall?) Yeah, it is. It’s nice to alleviate some of the pressure when you’re playing in your friend’s band and not taking lead duties. It’s also satisfying to spread my music around. Both have their advantages, yeah.
Your most recent studio album came out earlier this year. How often do you come up with new material? Do you already have any new music in the pipeline? And do you ever road-test new music live before recording it? It takes me a while to finish music because I have the bad habit of abandoning ideas that I think won’t work before I follow through and complete the song. So, yeah, songs can come pretty quickly or I’ll work on them slowly for months. I’d say I started formally writing the songs for this record a handful of months before I started recording. I’ve got some stuff I’m excited to work on after all the touring this year. Have more big ideas than actual music at this point. I don’t think I’ve road-tested material before recording it with this band ever … because I typically teach my live band the songs with my recordings.
Do you have any crutches when writing a song — are there certain words or styles you feel you lean on too much? I absolutely do,
but I’m not going to list them out just in case nobody has actually noticed before, haha. Both lyrically and musically, it’s frustrating and
I try to catch them before I commit to them. But at the same time I’ve found that most musicians and artists in general have their particular crutches, and those crutches over time turn into a distinctive style. Or maybe I just bullshitted that. Cool.
Do you have to be depressed to write a sad song? Do you have to be in love to write a love song? Is a song better when it really happened to you? I’ve noticed a lot of the time it’s the opposite actually; I’d write depressing songs when I’m OK and upbeat songs when I’m depressed. I think it has something to do with having enough distance from the thing you’re writing about to fully contextualize it and think about it critically. I’ve written dark songs when I’m down, definitely, and some work out well … but then others seem narrow-minded and unintelligent because I’m too deep in the hole to fully understand what’s going on. Maybe it’s just me. —R. Zizmor | @Hand_Dog
Friday, May 18th
Sofi Tukker exploded into the dance-pop world, armed with their tropical beats and catchy hooks on the release of their first EP Soft Animals in 2016. Since then, the NYC-based duo have...
Monday, May 7th
“After seeing this band, you’ll never think of the Golden Arches in the same way ever again.” – The Bold Italic “The humorous McDonald’s–themed Black Sabbath cover band Mac Sabbath…will...
Monday, May 7th
We’re excited to host the album release party for the Tuareg guitar master, Bombino on Wednesday, May 9 following day 2 of the Relix Music Conference at Brooklyn Bowl New...
Tuesday, Apr 24th
We can’t wait for 2 nights with Sister Sparrow & the Dirty Birds this week! Starting off with a tribute one of the greatest soul singers of our time, Sister...
Wednesday, Apr 4th
For 3 nights this April, 4 musicians from 1 of Africa’s most musically rich countries are coming to Brooklyn Bowl to present their revered art to the world. An ongoing crisis that broke...
Thursday, Mar 29th
The long-awaited release of Kool Keith, Dan the Automator, and DJ Qbert’s sophomore album is finally here! The mystical extraterrestrial, also known as Dr. Octagon, makes a triumphant return in...
Thursday, Mar 22nd
We’re still in awe of the unrivaled energy that is SXSW. The Brooklyn Bowl Family Reunion in partnership with Harley-Davidson and Sailor Jerry, our first events EVER in the great...
Friday, Mar 9th
Infected Mushroom, the kings of psychedelic trance, are unleashing their contagious electronic beats in Brooklyn for 2 nights on Wednesday, March 14, and Thursday, March 15! Accompanied by a live band, Infected...
Thursday, Mar 1st
The Allman Brothers Band have been considered pioneers of the southern rock and the jam band scene. Until their final show in 2014, the band played across the country to...
Wednesday, Feb 28th
Last month we launched our first Neon Valley Showcase and it was a huge success. Thank you to everyone who showed up at Brooklyn Bowl Las Vegas to support the...
Tuesday, Feb 27th
Over 20 years of collaborating, touring, and laying down the funk have made The Greyboy Allstars true masters of their craft. This weekend, The Greyboy Allstars make there way back...
Monday, Feb 26th
“BOWIE” | 24” X 36” | Oil on Canvas | Artist: Kim Parrent If anyone knows how to celebrate David Bowie, it’s Kim Parrent, and she has a beautiful 24″...