THE SOUL REBELS

THE SOUL REBELS

Afroskull

Fri, February 3, 2012

Doors: 6:00 pm / Show: 8:00 pm

Tickets Available at the Door

This event is 21 and over

$10 in advance, $12 day of show, cash only

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THE SOUL REBELS
THE SOUL REBELS
Called “New Orleans' finest brass ensemble” by VICE and "Nola's proud big brass elite" by OkayPlayer, THE SOUL REBELS hoist brass into the mainstream.
2013 was an explosive year for The Soul Rebels. After riding high from a blowout CMJ Showcase at New York’s Highline Ballroom, packed shows at Bonnaroo, Electric Forest and Austin City Limits, The Soul Rebels returned to their hometown of New Orleans to play as the house band for the nationally televised 2013 NFL Honors Awards Show hosted by Alec Baldwin on CBS Superbowl weekend. How do you follow up a show like that? The only way The Soul Rebels can, with three sold out nights at New York’s famous BROOKLYN BOWL and festival spots all the way from Australia to Indonesia. The Rebels brought the thunder all over the world, three tours of Europe and two tours in Brazil. And the party is just getting started.

The Soul Rebels have evolved into collaborating with artists including Metallica, Green Day, Maceo Parker, Galactic, Rick Ross, Trombone Shorty, Big Freedia,The String Cheese Incident, Slick Rick, Styles P of The Lox, Prodigy of Mobb Deep, Eric Krasno, Karl Denson, John Medeski, Suzanne Vega and David A. Stewart of the Eurythmics,among others as well as being billed on shows with Kanye West, Snoop Dogg, Alabama Shakes, Estelle, Cee Lo Green, Arcade Fire, Ice Cube, Shaggy and George Clinton among others.

The Soul Rebels can be heard on their international debut release Unlock Your Mind (2012), featuring Trombone Shorty among others.2013 saw the release of The Soul Rebels award winning mixtape, 'Power = Power'. Premiered by VICE, the tape includes renditions of songs by Jay Z, Drake, Nicki Manaj and Kanye West as well as the song of the summer”, Daft Punk’s “Get Lucky” featuring bounce queen Big Freedia.

And 2014 is looking even bigger for The Soul Rebels...
“We wanted to make our own sound without disrespecting the brass tradition,” LeBlanc recalls, “so we knew we had to break away.” They found a stylistic middle ground when they spun off and formed a band of young, like-minded local players from all over New Orleans. Graduates of university music programs throughout the South, the band took the marching band format they had learned in school and incorporated influences from outside the city as well as late-breaking local styles – R&B, funk and hip-hop – especially through half-sung, half-rapped lyrics. “Most of our originals have vocals,” says LeBlanc. “You wouldn’t have done that in a traditional brass band.”

Soon, the Soul Rebels’ contagious originals and updated takes on standards won them a loyal local audience. They began rocking some of New Orleans’ most beloved live music venues. A chance gig opening for the Neville Brothers got them a real start—and an official name. It was youngest brother Cyril Neville who first called them “Soul Rebels,” a good name for a band that strived to incite positive change in its treasured musical heritage. Since those days, the band has settled on an eight-piece lineup, building a career around an eclectic live show that harnesses the power of horns and drums in the party-like atmosphere of a dance club. Their weekly show at Uptown New Orleans spot Le Bon Temps Roulé has been known to descend into a sweaty shout-along as the band mixes up songs from its five studio albums with hits by Jay-Z and OutKast.

While touring the U.S., the Soul Rebels have shared the stage with notable artists from many corners of the pop and jazz worlds, including Arcade Fire, The Roots, Bootsy Collins, Robert Plant & Jimmy Page, Counting Crows, Green Day, Drive By Truckers, James Brown, Roy Hargrove, Allen Toussaint, Chuck Brown, Terence Blanchard, The Gap Band, Better than Ezra and many more. Averaging around 250 shows per year, the Soul Rebels have brought the party to stages as far away as South Africa and Europe, playing some of the world’s best-known music events, including, Umbria Jazz Fest, Antibes Jazz Festival, The Montreal Jazz festival, Bonnaroo, the Wanee Festival and, of course, the New Orleans Jazz and Heritage Festival.

When Hurricane Katrina struck their hometown in 2005, the band scattered across the region. Though a few members relocated to cities in Texas, the band frequently reconvened for gigs in New Orleans, this time with a renewed purpose. “Music has been the number one vehicle for Katrina recovery,” says LeBlanc. “That catastrophe has brought so much world wide attention to our music.”

Indeed, since the storm, the band has been more successful than ever serving as an international ambassador of the New Orleans sound. Now a hardcore touring band with a solid-as-ever lineup, the band has recently represented its hometown on television, appearing in the season finale of the HBO series Treme, the Discovery Channel hit After the Catch, and the NBC broadcast of the parade before the Saints’ winning 2010 Super Bowl.

In January of 2012, the band will finally release its first international album, Unlock Your Mind, on Rounder Records. This new song-driven studio effort includes guest appearances by Cyril Neville, Trombone Shorty and Meters guitarist Leo Nocentelli. The album was produced by Rounder VP of A&R Scott Billington, who was also at the helm of many of the Dirty Dozen Brass Band’s groundbreaking albums.

The Soul Rebels continue charting new territory today. Called “the missing link between Public Enemy and Louis Armstrong” by the Village Voice, the Soul Rebels combine top notch musicianship and songs with grooves that celebrate life in time-honored New Orleans style.
Afroskull
Afroskull
Afroskull is greasy persuasion and bad gris-gris. A New York City funk/rock collective by way of New Orleans, the ‘Skull is a sonic gumbo that is one part Funkadelic and one part Black Sabbath with generous helpings of Zappaesque runs and jazzoid horns. The interplay of their heady musicianship and fat bottomed grooves helps to keep les bon temps rouler all night long.
Born of saintly happenstance and house party jam sessions in The Big Easy, Afroskull has been intent on setting about the musical canvas with broad strokes and a menacing palette for more then a decade. Indulging in the sweet cross pollination of musical genres, they have created a hybrid sound they can call their very own. Taking their name from the perceived halo, that well worn LP fade, which framed the shrouded skull on the back cover of “Steppenwolf Live,” the band, in one word conceived a moniker that spoke to the heavy boogies they were cranking out on a regular basis.