Robbers on High Street
It’s been three years since the release of Robbers on High Street’s second LP. Now, with a new line up, some time off and a third album in the can, the band has grown into themselves - confident and unabashed in their grasp of late-60s Anglophilia a la the Pretty Things, and the brassy romp of early ‘70s AM rock. It’s a new sound for the band that, if anything, hearkens back to the rough, instantaneous pop appeal of their Peter Katis (Interpol, The National) produced 2005 debut album, Tree City. But much has changed for group the since they were traveling the country with the likes of Hot Hot Heat, Cake, Fountains of Wayne and Brendan Benson in support of that album.
In 2006, after parting ways with their original drummer, the trio (now with bassist Morgan King) entered the studio with Italian composer/producer Daniele Luppi (Gnarls Barkley, Broken Bells) to make their “L.A. record” – Grand Animals. Released the following year, and now as a quintet with drummer Mikey Post (Naomi Shelton & the Gospel Queens, The Jay Vons) and keyboardist Dave Sherman (Grand Mal, The Silent League), the Robbers did several tours with The Redwalls, The Sea and Cake, Great Northern, and Brooklyn pals Longwave; released a video for the song “Crown Victoria”; and watched their single for “The Fatalist” end up on top-ten lists as well as in more film and television spots, including the movie Georgia Rule.
Returning to Brooklyn in 2008, the band took a needed breather, but new songs and rehearsals emerged following the New Year. Recording started on their third album, Hey There Golden Hair, in October of 2009 on the boys’ newly purchased Tascam MS-16 1” tape machine, which was lovingly dragged to several studios across Northwest Brooklyn before settling at Tommy Brenneck’s (Budos Band, Menahan Street Band) Dunham Studio for mixdown this past May. Produced by Trokan with engineer Matt Shane (Flight of the Conchords, Rosanne Cash) this was the current line-up’s first foray into a proper recording session, drawing little help from the outside save that of a horn section borrowed from Daptone Records.
Two tunes from Hey There Golden Hair, “Electric Eye” and “Face In The Fog,” were released as a limited-run 7” single through NYC indie Engine Room Recordings. Jon Pareles of the NY Times stated, “There’s a lot of the Beatles, especially their piano-pumping side, in the songs of Robbers On High Street, updated with Elvis Costello’s gruffness and a matter-of-fact desperation,” and fans of the Robber’s previous work recognized the calculated strut of “Electric Eye,” which was well received and in its first week was the #11 most added song at CMJ. The new jam quickly made the rounds online, including a giveaway on WNYC, which they called, “an aggressively catchy tune that harks back to the big, beautiful, horn-filled pop-rock of the '60s and '70s,” and a Tripwire podcast.
Always an exciting live act, coolly walking the line between syncopated bursts of song and Miller High Life, the Robbers on High Street demolished their multiple SXSW performances and influential radio station KEXP has begun previewing tracks from Hey Ther Golden Hair, out September 13, 2011, digitally distributed through Connextion.
In association wuth PledgeMusic, anyone pre-ordering the full-length will receive a FREE digital EP (out in July) with multiple premium options, from drinking the band's beer rider and private Skype preformances to dinner with the band and the recording of a cover song of your choice, offered at tiered prices.
Brooklyn's own BROTHERS bring back the kind of soulful, scuzzy,
harmony-soaked rock & roll and country that made the ’60s and '70s so
sexy—back when the barn was stocked with whiskey, bands knew how to
dance, and bros were bros. Stompin', clappin', hootin', hollerin',
boozin', lootin', easy-ridin' rock 'n roll.