Sister Sparrow & The Dirty Birds
￼Sister Sparrow & The Dirty Birds is a nine-piece powerhouse that puts a modern spin on classic soul. The band is led by Arleigh Kincheloe (Sister Sparrow), whose astoundingly powerful voice and sly demeanor make for a spellbinding presence onstage. She is backed by the mighty force of The Dirty Birds, a flock of eight men who masterfully lay down thundering grooves and soaring melodies. While each of the Birds are capable of lighting up the stage with jaw-dropping displays of musicianship, it's clear they're focused on delivering the band's infectious music as a single entity. Simply put, the band's live show is explosive.
Dynamic singer and front-woman Sister Sparrow first began penning tunes in the alleyways and back roads between New York City and the Catskill Mountains as a teenager. Though already aided and abetted by her harmonica-shredding brother Jackson, it was clear that a large, powerful band was needed to do justice to the songs she was crafting. The brother and sister team called upon their cousin Bram, a California-bred drummer of considerable prowess, to help them assemble a super-band of epic proportions. Bram brought in childhood friends JJ Byars (alto saxophone) and Ryan Snow (trombone), and Ryan called upon baritone saxophonist and close friend Johnny Butler. Later, the addition of trumpeter Phil Rodriguez completed the unstoppable force of the virtuosic Dirty Birds' horns. The rhythm section was filled out by tapping guitarist Sasha Brown and bassist Aidan Carroll, a tandem that proved to be the perfect engineers of the hard-driving, bare-knuckle grooves that propel this ferocious group.
It was evident from the start that the deep friendships among its members translated directly to the music they made together. While Sister Sparrow is the principal songwriter and unifying voice of the band, the Dirty Birds work collaboratively on arrangements. The result is musical creativity and diversity seldom seen in groups of this size and character. By the middle of 2009, Sister Sparrow & The Dirty Birds had packed New York's legendary Rockwood Music Hall every Saturday night, holding down a five-month- long residency that built them a reputation for being one of the funkiest, tightest groups in the city. Fueled by the band's boundless energy, every show turned
into a wild dance party, and the Dirty Birds established a rabid following of fans eager to receive a potent dose of good times, delivered by the band night after night.
Within six months of their November 2010 debut release on Modern Vintage Recordings, Sister Sparrow & The Dirty Birds had opened for the Black Keys, the Neville Brothers, Dr. John, the Rebirth Brass Band, and the Soul Rebels Brass Band, among others. Through appearances at such festivals as moe.down, Strange Creek, Camp Jam, Sterling Stage, and late-night at New Orleans JazzFest, they continued to gain wider acclaim. In the spring of 2011, they embarked on an extensive national tour that continues through year‚Äôs end and includes performances at Gathering of the Vibes and Bear Creek.
Sister Sparrow's commanding stage presence alone is more than enough to dazzle audiences, but the magic doesn't end with her: the band's palpable camaraderie, undeniable talent and passion for music makes for a contagious combination that is taking the country by storm. Sister Sparrow & The Dirty Birds' blend of seductive soul and dirty blues-rock reminds audiences why they love live music.
Generating a well-deserved buzz in NYC’s exploding afrobeat scene, Zongo Junction electrifies dance floors wherever they perform. The Village Voice describes their live show as “Sheer energy with the force of a tractor-trailer that roars with power and noise.” With five horns, and a six-piece rhythm section, audiences can’t help but move no matter where the band is playing.
If the Talking Heads produced a Fela Kuti record of Sun Ra’s music, the product would probably sound something like Brooklyn’s Zongo Junction, and in an industry where it has become commonplace to watch bands perform with laptops & backing tracks instead of live musicians, Zongo Junction takes the stage 11 strong. "The only thing Zongo Junction has to do to start a legitimate dance party is show up and plug in – anyone within a square block earshot of this Ford-tough funk factory would be hard pressed not to join in the hoopla” says the Bay Area’s SF Station.
Zongo Junction formed in 2009, when drummer and California native, Charles Ferguson, returned from a six-month stay in Ghana, West Africa. “Growing up in the Bay Area, I was exposed to a lot of amazing music from many different cultures, a lot of which had roots in West Africa. As a kid, a few different music teachers introduced me to afrobeat, and the pioneers of the genre—Fela Kuti, Tony Allen, OJ Ekemode, Sunny Ade and others. My love of African music brought me to Ghana in 2008 and when I returned to New York, I knew I wanted to start this band.”
In college at the New School, Charles and a classmate put together a list of friends who they thought would be good fits for the band. Soon after they started rehearsing, Zongo Junction began performing and developing a following in East Coast clubs. They made their first album, Thieves! (2010), which included a collaboration with longtime Fela Kuti band member, Leon Kaleta Ligan-Majek, and quickly began performing at venues & festivals around the country including a residency at Brooklyn Bowl, a main stage performance at the Bear Creek Music & Arts Festival in Florida, and an appearance at the Kennedy Center in DC. More recently the band has collaborated with FELA! cast member Abena Koomson. Members of the band have performed or recorded with TV On The Radio, Man Man, Easy Star All-Stars and The Walkmen, among others.
The band is hard at work recording their second album, scheduled for release in 2013. “In writing this music as a collective, a lot of really cool new influences have emerged,” points out tenor saxophonist Adam Schatz. The music on the album embraces the individual members’ interests, from Dirty Projectors, to Albert Ayler, Wu Tang to Meshuggah. At the music’s core, you will always find the infectiously danceable West African grooves that are the foundation of Zongo Junction. The band effortlessly ties it all together, resulting in a unique version of afrobeat.
For more information visit www.zongojunction.net or contact firstname.lastname@example.org
Zongo Junction is:
David Lizmi - Bass
Charles Ferguson - Drums
Morgan Greenstreet - Percussion
Jordan Hyde - Guitar
Ross Edwards - Keys
Adam Schatz - Tenor Saxophone
Matt Nelson - Tenor Saxophone
Jonah Parzen-Johnson - Baritone Saxophone
Aaron Rockers - Trumpet
Kevin Moehringer - Trombone