Deer Tick presents "Deervana" (performing "In Utero" in its entirety)
From the band that’s been both accurately and inaccurately labeled just about everything this side of Top 40 comes a true-to-form rock-n-roll record. Scratch that, true-to-form is not Deer Tick’s style. Let’s start over…
Naturally, after so many years of critics praising [and making fun of] them for their “folk” and “country” sounds and hardly ever mentioning the fact that they’ve also recorded virtually dozens of other kinds of music, the band wanted to make a record that was truer to their live set (which has gained some notoriety): raw, loud, heartfelt, and completely uninterested in whatever the hell the rest of the music industry is up to.
To produce this record, the band recruited the team of Adam Landry and Justin Collins, who produced McCauley’s side-project Middle Brother’s debut album. The results are unlike anything you’ve heard on a Deer Tick album, but Deer Tick achieves something that is a lot more accurate to their live sound. Distorted guitars are aplenty, guitarist Ian O’Neil and drummer Dennis Ryan take lead vocal duties for the first time on record. Man, you can practically smell the sweat and the beer! Shit, you may even hear a guitar or two break somewhere in there! It’s got a little Exile, it’s got a little In Utero, it’s got a little Nilsson Schmilsson, but it’s 100% Deer-Fucking-Tick in their purest, and most carefree form… perhaps that’s because this is the first record they’ve recorded in their home state of Rhode Island… GAH!!! No need to over-think this shit!!! Moving on…
The songs are there. The delivery is in your face. There’s no studio magic. There’s no hiding the fact that Deer Tick is just five regular dudes. This record may rattle your thoughts, and it may make you think differently about Deer Tick, but at least they didn’t make the same album four times in a row, right?
The VIKING MOSES was initiated by Southern Missourian Brendon Massei in 2003. The band has a dynamic, rotating cast of both established and obscure musicians worldwide, and is currently based in Northern Appalachia (USA).
More straight forward rock/soul than weird/folk as most of their contemporaries seem to be marketed, Viking Moses’ recordings are very accessible in convention, though live shows normally tend to have an unconventional approach, being hosted in unorthodox venues, often having assembled bands night-of, using members of support bands or strangers in the audience. Both aspects are delivered with utmost soul, passion, and humility, and always offer fans and strangers an experience which is unique and often contrary to expectation.
Viking Moses has been finding very fair attention since 2004, thanks to Devendra Banhart's "Golden Apples..." compilation and good words, followed by a signing by Alan McGee (Creation Records founder, and manager of Oasis, Jesus & Mary Chain, Primal Scream, Teenage Fanclub, Mogwai, Libertines, etc.) which has found Viking Moses high acclaim in UK and Europe, and kept them heavily active in that part of the world these past few years.
Ian O'Neil (of Deer Tick)
Ian O’Neil, a Massachusetts native, has been Deer Tick’s guitarist and a contributing songwriter to the band since 2009. He previously played in the band Titus Andronicus.