KIDROCKERS FT. CAVEMAN

KIDROCKERS FT. CAVEMAN

Har Mar Superstar, Hosted by Craig Baldo and Jordan Carlos

Sun, January 27, 2013

Doors: 11:00 am / Show: 11:30 am

Tickets

This event is all ages

All Ages until 6:00 PM 21+ after 6:00 PM

Children ages 2 and under get in for FREE

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Kidrockers
Kidrockers
Kidrockers presents some of NYC’s finest new bands, including DIIV, Widowspeak, Caveman, Hooray For Earth, Reputante and Hospitality. At Kidrockers, bands perform original songs in a way that is both authentic and kid-friendly. Hosts Seth Herzog (Jimmy Fallon, Sweet) and Craig Baldo bring hilarity and interactivity to these all ages family rock shows. “We love to hear great new music -- and so do our kids.” says Kidrockers founder Beth Lorge. “We want to create an opportunity for kids and parents to discover artists and get to see them play live in a fun, safe and comfortable environment.”
Caveman
Caveman
Caveman was born in New York in January of 2010, when a group of friends decided it was time to put aside their boyhood ways and start being men. The sound they crafted in that large, dark room is equal parts chamber pop, dreamscape, and horror film score. At a Caveman show you will hear four-part harmonies, spaced-out guitars, synths, and, yes, much drumming. This has been a gallant year for the band, as since their first birthday they have shared the stage with bands such as Edward Sharpe & the Magnetic Zeroes, White Rabbits, Here We Go Magic, Cursive, Amazing Baby, and Blue Oyster Cult. They recently went into the Loveboat studio with Nick Stumpf (French Kicks) to commit their songs to record.
Har Mar Superstar
Har Mar Superstar
Har Mar Superstar was born ten years ago, when Tillmann was living in Minneapolis, playing guitar-based indie rock. The Har Mar idea, he says, was "a reaction to boring indie rock and how people were taking themselves way too seriously, and any aspect of playing and touring was no fun after a while, and I realized if I go to a dance party and sing an R. Kelly song on a couch, the girls are going to go fucking crazy. So I started transferring that to the stage and doing more R&B oriented songs and it really was a no-brainer after I'd done it a few times. Like, 'why don't I just make this gross, why don't I just start writing songs like that?" And as soon as I did, it was obvious, it was like a light bulb went off and I went on my way and got more and more aggressive, and the shows became this weird exercise in sexual tension, and I really learned how to play with that fire and make it work for me.