Sunday, October 22nd, 2017
Doors: 6:00 pm / Show: 8:30 pmBrooklyn Bowl
$45.00 - $289.00
This event is 21 and over
Advanced tickets to this event are SOLD OUT! We will have a very limited number of admissions available to purchase at the box office on the night of the show starting at 6:00 PM. All admissions at the door will be first come first serve, one ticket per customer, with no re entry. $50 at the door, cash only.
$45 in advance; $50 day of showhttp://www.brooklynbowl.com/event/1524295/
As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. Bits and pieces of classic songs are culled from 40-plus years of popular music from 70s Reggae to 80s Pop to 90s Metal and everywhere in between. From Radiohead mashed with Beck, The Weeknd with Fleetwood Mac, Talking Heads with Bob Marley, Metallica with Gorillaz . . . nothing is off limits.
The original Umphrey’s McGee played a mix of originals and cover songs, waiting just eight months to release their debut album, the cheekily titled Greatest Hits Volume III. Their initial “proper” recording, Local Band Does OK, came out in 2002, followed shortly afterward by an appearance at the first-ever Bonnaroo in Tennessee, selling more albums than any other band on the bill. The 2007 double album, Live at the Murat, earned a four-star review in Rolling Stone and a Jammy for Best Live Album.
Despite attempts at categorizing UM, the band has devoted its craft to making their devoted followers feel as if they are part of something larger, through such technology-fueled innovations as fan-curated sets, the immersive high-end audio offering, “Headphones & Snowcones,” where the pristine sound of the live soundboard mix is piped wirelessly through high-end personal monitor systems and headphones, as well as making every live show since 2005 available via their live music portal UMLive.net. UM were also the first group to launch its own single-artist streaming service.
Finding themselves in London for three shows at the Brooklyn Bowl in June 2014, the idea of recording at Abbey Road was first proposed by Umphrey’s producer Manny Sanchez, a notion, as Bayliss told Rolling Stone that seemed as likely as “being asked to give a sermon at the Vatican.”
“It wasn’t a goal,” he explains, “because it never seemed like a possibility.” But never to be bound by what seems possible, UM secured a coveted day at the world’s most famous recording studio and dove in headfirst.
Twelve hours after first setting foot in Abbey Road Studios, just before midnight, Umphrey’s McGee left the historic room with their own new album, The London Session, what Rolling Stone dubs “a historical primer, an evolution story inside 51 minutes.”
This November 11th, prepare to get Zonkey’d. An album unlike any previous Umphrey’s McGee effort, this unique take on the mash-up concept is yet another example that there aren’t many places Umphrey’s McGee won’t take you.
Umphrey’s McGee are more than just a rock band – through nearly two decades, they have proven to be on the cutting-edge of both music and technology, super-serving their fans through a community that stretches from the campus of Notre Dame to the hallowed halls of Abbey Road.
61 Wythe Avenue
Brooklyn, NY, 11249