AlterNative and Silverback Present:
VIVA RAS VEGAS: DAY TWO - Long Beach Dub Allstars
Don Carlos, Hirie, Law
Saturday, September 2nd, 2017
6:30 pmBrooklyn Bowl Las Vegas
$23.00 - $45.00+
This event is 18 and over
All guests must have a valid government/state issued ID for entry to the venue. No refunds.
TICKETS PURCHASED IN PERSON AT THE BOX OFFICE ARE SUBJECT TO A $2 TICKETING FEE.
All general admission tickets are standing room only.
ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX
Brooklyn Bowl Las Vegas is excited to offer special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.
*Advertised times are for doors*
Since then working alongside Goldie, his side kick, co writer and back up vocalist having built and consolidated a staunch following through touring the live circuit, plus 12 solo albums, most notably Harvest Time, Day to Day Living, Them Never Know a Natty Dread have credentials all three issued in 1982, Spread Out 1982 also otherwise known as Laser Beam to which the majority of tracks in this set have been culled, Never Run Away 1984, Just a Passing Glance 1985 and more recently Seven Days a Week a solid joint production venture, between Goldie, Dr. Dread and himself, there has been no turning back.
Although he reached the peak of his solo career during the heydays of the eighties dance hall mania thus celebrating his impact with five top ten hits between 1982 – 1985, Late Night Blues Nice Time Tonight, Dice Cup, Hog & Goat, I’m Not Getting Crazy and Spread Out The latter of which is included here, he is still churning out solid, melodic roots reggae. There’s an old saying in the music industry that claims: What goes around, comes back around. In Dons’ case a request for reinstatement to his former role as lead vocalist for a rejuvenated Black Uhuru reunion eight years ago resulted in a sadly underrated Now album. Amazingly he has been able to maintain dual roles of solo and group member efforts without inflicting a conflict of interest. It is an extremely rare feat if an artist’s repertorire is built without a few mistakes along the way and up until the reunion of original Uhuru in 1990, Carlos’ reputation suffered slightly from over exposure. During this exhaustive and hectic period, one of Jamaica’s leading producers’ of the 70’s and 80’s Bunny Striker Lee was able to coax some of the singer’s finest moments, which are here by recompiled for this nifty set. By cleverly employing the rugged rhythm section of top sessions musicians like Sly & Robbie, the Roots Radics Band plus Santa and Ranchie, This selection shows just how close producer and artist in perfect harmony got to developing the true potential which Carlos has always shown. The opener, Jonnie Big Mouth is a wistful attempt at reaffirming small time braggerts and so called know all’s of their false impression, over that profound Drifter riddim. While Booming Ball utilises Alton Ellis I’m Just a Guy bass line to good effect. And further merits are handsomely gained as the ever reliable Real Rock riddim encapsulates yet another rendering via Ababa John 1. Among other things this collection is a prime example of versions excursions, so finally but certainly not of the least the album’s singnature tune, Laser Beam utilises that old Three Tops It’s Raining riff to great effect. Biography by John Williams
Born in the Philippines, raised in Italy and living the biggest and most influential portion of her life in Hawaii, HIRIE considers herself an island girl at heart. The experiences she’s had living on Oahu have taken her on a musical journey worth listening to by all who appreciate her genuine take on love and life.
2013 is the year HIRIE enters the music industry. With sheer determination she aims to deliver music that entertains both reggae and pop lovers alike. Charm, passion for people, positive and uplifting messages, and memorable hooks and melodies are offered for all in her upcoming, self-titled album: HIRIE.
“HIRIE is a lifestyle I want people to love and become accustomed to. The island-way of living is contagious; healing the mind, body and spirit. The same goes for its music. When people hear my songs, I want them to feel disconnected from their troubles. Music that brings you to a positive place: that’s reggae. Music that lifts you to higher space: that’s HIRIE”.
Brooklyn Bowl Las Vegas
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