Metal Alliance Tour with Overkill, Crowbar, Havok
Crowbar, Havok, Black Fast, Invidia
Sunday, September 24th, 2017
7:00 pmBrooklyn Bowl Las Vegas
$25.00 - $30.00+
This event is 18 and over
$25.00 General Admission, $30.00 General Admission (Day of Show)
All guests must have a valid government/state issued ID for entry to the venue. No refunds.
TICKETS PURCHASED IN PERSON AT THE BOX OFFICE ARE SUBJECT TO A $2 TICKETING FEE.
All general admission tickets are standing room only.
ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX
Brooklyn Bowl Las Vegas is excited to offer special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.
*Advertised times are for doors -- show time not available until day of show*
The band known for rejecting several names, which includes "Virgin Killer", this new band finally settled on "Overkill", naming themselves after a Motörhead album.
Overkill were formed in New Jersey when a previous D.D. Verni/Rat Skates (real names: Carlos Verni and Lee Kundrat - the stage names were tributes to favourite punk bands, the Ramones featuring Dee Dee Ramone, and the Damned, featuring Rat Scabies... Bobby Blitz was taken from The Dead Boys' Johnny Blitz!) project, a punk band called The Lubricunts, broke up in 1980. (There's a picture of the Lubricunts demo cover in the Wrecking Your Neck liner notes.) D.D. quickly wanted to form a new band, so he put out an ad which was answered by guitarist Robert Pisarek (who came up with the name Overkill), but he was quickly replaced by Dan Spitz and Anthony Ammendolo.
Early covers (especially those done under the Virgin Killer name in the very very early days) were punk songs for the most part, including selections by the Ramones, and The Dead Boys. By 1980, they had recruited two guitarists (names forgotten over time) and the setlist included songs by Motorhead ("Overkill", half of the Ace of Spades album, and others), Judas Priest ("Tyrant" was their closer for a while), and later Iron Maiden and Riot, as well as a smattering of punk covers, which were played with extra distortion, intensity, and concentration on riffs.
In 1981, guitarists Dan Spitz (later of Anthrax) and Anthony Ammendolo left the band and Rich Conte entered with Mike Sherry. At this point, they started writing originals, including "Grave Robbers", "Raise the Dead", "Overkill", and "Unleash the Beast Within". More originals would follow, including "Rotten to the Core". Somewhere around this time Rich and Dan left and Bobby entered with Joe somebody on guitars. The band became a staple at New York and New Jersey clubs around 1982, and soon Bobby lived up to his "Blitz" nickname, earning an ejection from the band for a few days in 1983!
Around this time, the fluorescent green logo was adopted - it was specifically chosen to stand out on a poster with lots of red logos of other bands on the bill.
The lineup would stay consistent until 1987, when "Rat" Skates left the band. He was replaced by Mark Archibole for a few gigs, and then on a permanent basis Sid Falck, previously of Paul Di'anno's Battlezone. (Bobby Blitz once said that the only former member he misses is co-founder Rat Skates.) Then, in 1990, Bobby G. left and was replaced by Rob Cannavino and Merritt Gant (Faith or Fear).
This lineup lasted until 1992, when Tim Mallare came in on drums. Rob and Merritt both left the band in 1995 (Rob became a motorcycle racer, and Merritt formed several other bands), being replaced by Joe Comeau (Liege Lord) and Sebastian Marino. Joe left in 1999 to become the vocalist for Annihilator, and the Coverkill album was recorded with new guitarist Dave Linsk. Sebastian left to spend more time with family, so Linsk played all the guitar parts on 2000's Bloodletting album, and Derek Tailor joined for the subsequent tour, and was also featured on Killbox 13. Tim Mallare left Overkill on his own accord after 14 years with the band in 2005.
Bobby "Blitz" Ellsworth: vocals (1980-)
Carlo "D.D. Blaze" Verni: bass (1980-)
Dave Linsk: lead guitar (1999-)
Derek "Skull" Tailer: rhythm guitar (2001-)
Ron Lipnicki: drums (2005-)
Vocals, Guitars: Kirk Windstein (born April 14, 1965 in Middlesex, England)
Bass: Todd Strange (born January 31, 1966)
Guitars: Matthew Brunson (born in Metairie, Louisiana)
Drums: Tommy Buckley (born April 12, 1970 in New Orleans, Louisiana)
David Sanchez: lead vocals, guitars (2004 - present)
Pete Webber: lead drums (2010 - present)
Reece Scruggs: lead guitar, vocals (2010 - present)
Nick Schendzielos – bass (2015 – present)
Jesse De Los Santos: lead bass, vocals (2009 - 2012)
Shawn Chavez: lead guitar, vocals (2004 - 2010) (d. 2015)
Ryan Bloom: drums (2007 - 2009)
Haakon Sjogren: drums
Marcus Corich: bass
Tyler Cantrell: bass
Richie Tice: drums
Mike Leon: bass
Black Fast recorded a self-titled EP in 2011 and in August 2013 they self-released their first full-length album, ‘Starving Out the Light,’ which helped them win accolades like ‘Best Thrash Metal” album in the 2013 Metal Storm Awards.
The band’s origins date back to December 2015, though long relationships exist between the majority of the members. Conversations between Johnson and guitarist Brian Jackson (formerly of Skinlab) got the ball rolling, and soon afterward Jackson entered the studio with Mader to start “hashing out” some music. Getting wind of this, bassist Matt Snell (formerly of Five Finger Death Punch) – a long time friend and often tour mate of Jackson and Johnson – enthusiastically offered his services. Drummer Darren Badorine who had previously collaborated with Johnson was soon drafted into the fold, the final piece of the puzzle coming with ex-Skinlab guitarist Marcos Medina. “When we were looking for a second guitarist Brian said ‘dude, why didn’t I think of this sooner – I’ve got the perfect guy! Hang on lemme call him!’ That was it, super smooth and easy and the band was going. It was like it was ‘meant to be’.”
The various personalities and styles of the members soon gelled, and bonded and driven by a common goal they worked quickly and passionately. The result is a collection of songs that not only land with phenomenal force but skewer the listener with ruthless hooks. “That was our goal, what we wanted to do with these songs, but at the same time we didn’t want every track to be the same, so we firmly stuck to the idea of always doing what was right for the individual song. Logan was instrumental in this department. He really seems to inspire confidence while recording, and pulls music out of people they maybe didn’t know they had in them.” Listen to lead off track “Making My Amends” and you will get the full on Invidia effect: tighter than hell, built around monstrous grooves and armed with a truly scathing chorus that makes you want to punch whatever is in your vicinity at the time. Blast your eardrums with “Now Or Never” and you will be no less pummelled, but its industrial-infused thunder, propulsive rhythms and cinematic grandiosity will take you to a wholly different place. Or crank up “Feed The Fire” and embrace the southern grooves woven into its titanic riffing, its chorus and climax almost impossibly huge. Producer, Logan Mader says "I loved working on this album! Inivia's sound has huge balls while maintaining a great sense mass appeal with big hooks and heavy grooves. The guys are dead serious about making it all happen and very self sufficient. Producing records like this are the ones that make my job fun and inspiring."
In tandem with constantly switching things up musically, Johnson covers a variety of subjects in his lyrics, adding to the emotional resonance of the record. “There are songs like “Making My Amends”, which is about getting sober. Then there’s “Smell The Kill”, which is about being a sniper, and “Marching Dead”, which is about the dead rising and taking over the world, and “Truth In The Sky” is about being a liar and being outed for it. Like with the music there were no rules.” While Johnson never fails to deliver when it comes to unleashing his mighty larynx, adding a further element to the record the band drafted in Gemini Syndrome frontman Aaron Nordstrom to lend his tones to “The Other Side”. “He was in Vegas over at Brian’s pad, and he and I were bouncing ideas around on the tune and it just had to happen! Aaron is an amazing artist, his ideas on that song were so good, and his contributions are amazing.”
With the album primed to drop, those coming into contact with the band’s music will likely Google the definition of Invidia, and learn that the latin phrase refers to a sense of envy, conjuring a sense of spite and resentment at the success of others. It is not unreasonable to suggest that a great many bands currently operating in the active-rock/metal sphere will feel just that when confronted by the songs on As The Sun Sleeps, the album title also connected to this concept. “We’re a Vegas based band, we’re out at night, and that’s also when the ‘demons come out to play’, as the last track on the record says. You see a lot of envy and judgment in the world, even more so if you’re an ‘out every night’ sort of guy.” Of course, eliciting such feelings was not the band’s intent when they wrote and recorded the album, focused on making great songs and having fun with it. “When the fun is gone it becomes work, so a goal for us is to find a way to maintain a positive influence in what we do, and avoid it ever becoming something that seems like a chore. That’s how we make the music we make.” While Johnson remains committed to In This Moment he has every intent on touring hard with As The Sun Sleeps, not wanting Invidia to ever be considered a side project. “Who knows, maybe we’ll tour with In This Moment and I’ll get to pull a double every night!” he laughs. “Stranger things have happened!”
Brooklyn Bowl Las Vegas
3545 Las Vegas Blvd. South
Las Vegas, NV, 89109