The Shacks, No Bowling after 10:00pm
Wednesday, February 22nd, 2017
Doors: 6:00 pm / Show: 8:30 pmBrooklyn Bowl
$16.00 - $18.00
This event is 21 and over
Advanced tickets to this event are SOLD OUT! We will have a limited number of admissions available to purchase at the box office on the night of the show starting at 6:00 PM. All admissions at the door will be first come first serve, one ticket per customer, with no re entry. $18 at the door, cash only.http://www.brooklynbowl.com/event/1390120/
Ever since their first rehearsals, Khruangbin have recorded at their spiritual home, a remote barn deep in the Texas countryside. The band listened to a lot of different types of music on the long drives out to the country but their favourites were 60s and 70s Thai cassettes gleaned from the cult Monrakplengthai blog and compilations of southeast Asian pop, rock and funk. This had a heavy impact on the direction of the band, the scales they used and the inflection of the melodies; which coupled with the spaciousness of the Texan countryside culminated in Khruangbin forming their exotic, individual sound.
The seeds of Khruangbin were sown when Mark and Laura were invited to tour with Ninja Tune’s YPPAH supporting Bonobo across his 2010 American tour. The tour galvanised the two of them to start making music together more seriously, with DJ – he and Mark have played in the same gospel band for years – the natural choice for drums.
Sharing their first recordings, Bonobo included Khruangbin’s ‘A Calf Born In Winter’ on his 2013 Late Night Tales compilation. Subsequently signed to Late Night Tales offshoot Night Time Stories, ‘A Calf Born In Winter’ was released as a single in May 2014, four track EP ‘The Infamous Bill’ followed in October, with covers EP ‘History Of Flight’ on Record Store Day 2015. Their debut album ‘The Universe Smiles Upon You’ was released in November 2015 to widespread acclaim. 2016 is set to be an important year for the band and their rising profile with a series of international live dates planned including Festivals in the UK, Europe and US, SXSW and out on the road this May with Father John Misty supporting on his UK and European tour.
“Hypnotic, spacious, drifting soul music with a cinematic dreaminess” -The Guardian “A positive energy” – The Independent “Like a Tarantino soundtrack crossed with Curtis Mayfield. In Thailand” – The Telegraph “Intriguing Thai-influenced funk” – Mojo “A sea of sound that’s lovely to get lost in” – The Line Of Best Fit “An imaginative, inventive and sublime debut album” – Stamp The Wax “An outstanding debut” – Future Music
The story goes that Max brought Shannon to the studio. Max was playing guitar on a track produced by Leon Michels — the producer and co-founder of Big Crown Records — and Michels needed a vocalist. They put Shannon in the booth to try it out. It was her first time ever recording. Then, in one take, the song “Strange Boy” had a singer who completed the vibe. The Shacks were born.
There are elements of doo-wop and early, pre-Elvis rock in their musicianship. Combine that with a deeply personal songwriting approach and it’s a familiar-yet-fresh sound. Like The Five Keys met Neil Young and cut a record with Brigitte Bardot — but in English.
Here’s the thing: Max and Shannon are barely in their twenties. Most of their musical influences are from before they were born. It’s contradictions like this that signify something intriguing is happening with The Shacks.
Max and Shannon met while going to the same NYC high school. By that time, Max was already a musical wunderkind.
Raised in Princeton, NJ, at fourteen Max emailed Gabe Roth of Daptone Records with a rough, home-recorded demo. By seventeen, he had penned the lead single, “Sinner,” on Naomi Shelton and the Gospel Queens’ 2014 Cold World LP.
Shannon comes from a strong musical pedigree. Her father, a producer, ran a Manhattan recording studio, and her mother is a singer-songwriter. Artists and bands of all stripes passed through her life growing up. While her history isn’t yet as extensive as Max’s, she’s writing it right now. Her infectious, eclectic voice and songwriting skills are testaments to her remarkable natural talent.
Their first record together, entitled Haze and forthcoming on Big Crown Records, is jointly produced by Shrager and Michels. Each song sounds both like an exploration and reflection of the relationship between Shannon and Max. You can hear a kind of invigorating creativity between them — songs written for and about each other, trying to express the inexpressible aspects of youth and love.
“We just want people to get excited about real music again,” says Max. “When we record we try to capture what’s happening — in our lives, things between us, something in the studio that day, just something honest. Not something pieced together and hyperreal.”
In a modern culture where most music is manufactured and artificial, Max Shrager and Shannon Wise want to introduce their generation to a more honest kind of music. A kind that’s written from life and made with integrity and value. And all this before either of them can rent a car.
61 Wythe Avenue
Brooklyn, NY, 11249