Umphrey's McGee

Umphrey's McGee

Spafford

Friday, March 17th, 2017

6:30 pm

$32.50 - $50.00 +

This event is 18 and over

$32.50 general admission. $35 day of show.

$50 club level.

 

All guests must have a valid government/state issued ID for entry to the venue. No refunds.

 

TICKETS PURCHASED IN PERSON AT THE BOX OFFICE INCLUDE A $2 BOX OFFICE FEE

 

 

All general admission tickets are standing room only.

 

 

ALL TICKET PRICES INCLUDE NEVADA'S 9% LIVE ENTERTAINMENT TAX

 

 

 

Brooklyn Bowl Las Vegas is excited to offer special room discounts via Caesars Hotels & Resorts for traveling fans. For hotel rooms use promo code: BRB15 at www.caesars.com applicable for rooms at The LINQ Hotel and the Flamingo.

 

 

*Advertised times are for doors -- show time not available until day of show*

Umphrey's McGee
Umphrey's McGee
After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one.

As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. Bits and pieces of classic songs are culled from 40-plus years of popular music from 70s Reggae to 80s Pop to 90s Metal and everywhere in between. From Radiohead mashed with Beck, The Weeknd with Fleetwood Mac, Talking Heads with Bob Marley, Metallica with Gorillaz . . . nothing is off limits.

The original Umphrey’s McGee played a mix of originals and cover songs, waiting just eight months to release their debut album, the cheekily titled Greatest Hits Volume III. Their initial “proper” recording, Local Band Does OK, came out in 2002, followed shortly afterward by an appearance at the first-ever Bonnaroo in Tennessee, selling more albums than any other band on the bill. The 2007 double album, Live at the Murat, earned a four-star review in Rolling Stone and a Jammy for Best Live Album.

Despite attempts at categorizing UM, the band has devoted its craft to making their devoted followers feel as if they are part of something larger, through such technology-fueled innovations as fan-curated sets, the immersive high-end audio offering, “Headphones & Snowcones,” where the pristine sound of the live soundboard mix is piped wirelessly through high-end personal monitor systems and headphones, as well as making every live show since 2005 available via their live music portal UMLive.net. UM were also the first group to launch its own single-artist streaming service.

Finding themselves in London for three shows at the Brooklyn Bowl in June 2014, the idea of recording at Abbey Road was first proposed by Umphrey’s producer Manny Sanchez, a notion, as Bayliss told Rolling Stone that seemed as likely as “being asked to give a sermon at the Vatican.”

“It wasn’t a goal,” he explains, “because it never seemed like a possibility.” But never to be bound by what seems possible, UM secured a coveted day at the world’s most famous recording studio and dove in headfirst.

Twelve hours after first setting foot in Abbey Road Studios, just before midnight, Umphrey’s McGee left the historic room with their own new album, The London Session, what Rolling Stone dubs “a historical primer, an evolution story inside 51 minutes.”

This November 11th, prepare to get Zonkey’d. An album unlike any previous Umphrey’s McGee effort, this unique take on the mash-up concept is yet another example that there aren’t many places Umphrey’s McGee won’t take you.

Umphrey’s McGee are more than just a rock band – through nearly two decades, they have proven to be on the cutting-edge of both music and technology, super-serving their fans through a community that stretches from the campus of Notre Dame to the hallowed halls of Abbey Road.

###

ZONKEY Track Listing “National Loser Anthem”

“National Anthem” (Radiohead) + “Loser” (Beck) + “In The Air Tonight” (Phil Collins)

“Life During Exodus”

“Life During Wartime” (Talking Heads) + “Exodus” (Bob Marley) + “City of Tiny Lights” (Frank Zappa) + “25 or 6 to 4” (Chicago)

Can’t Rock My Dream Face”
“Rock With You” (Michael Jackson) + “Can’t Feel My Face” (The Weeknd) + “Dreams” (Fleetwood Mac)

“Sad Clint Eastwood”

“Sad But True” (Metallica) + “Clint Eastwood” (Gorillaz)

“Electric Avenue To Hell”

“Highway To Hell” (AC/DC) + “Electric Avenue” (Eddy Grant) + “The Triple Wide” (Umphrey’s McGee)

“Ace Of Long Nights”

“Ace of Spades” (Motörhead) + “It’s Gonna Be a Long Night” (Ween)

“Sweet Sunglasses”

“Sweet Dreams” (Eurythmics) + “Sunglasses at Night” (Corey Hart) + “Electric Feel” (MGMT)

“Strangletage”

“Stranglehold” (Ted Nugent) + “Sabotage” (Beastie Boys)

“Come As Your Kids”

“Kids” (MGMT) + “Come As You Are” (Nirvana) + “You Spin Me Round (Like a Record)” (Dead or Alive)

“Frankie Zombie”

“Thunder Kiss ’65” (White Zombie) + “Relax” (Frankie Goes to Hollywood) + “Have a Cigar” (Pink Floyd)

“Bulls On The Bus”

“Bulls On Parade” (Rage Against the Machine) + “Mark On the Bus” (Beastie Boys)

“Bittersweet Haj”

“Hajimemashite” (Umphrey’s McGee) + “Bitter Sweet Symphony” (The Verve)
Spafford
Spafford
Spafford is an eclectic blend of driving rock, funk, dance, and light. The result is something like Electro-Funk Therapy. Melting through genres while creating an illuminated mind-and-mood altering experience night after night, Spafford is lighting up the southwest and beyond with their improvisational prowess. They are paving the way for something new, yet familiar, that beckons to be seen, heard and felt.
Since their first performance on New Years Eve of 2009, Spafford has built a following around the addictive live shows they put on. They have become a featured act for Vegas late-night spots, such as the Hard Rock Hotel and Casino and The Palms, and the band has hosted many of the official after-parties for Further and Widespread Panic. When Spafford isn’t playing notable festivals such as McDowell Mountain Music Festival, The Gem & Jam, Firefly Gathering and Serenity Gathering, they’re off on the road touring the South-West where they’ve shared the stage with bands such as WideSpread Panic, Hot Buttered Rum, Particle, EOTO, Tea Leaf Green, Howlin’ Rain, The Motet, Toubab Krewe and many more as they continue to expand and extend their route to bring their experience to new places. 2015 has already brought the release of along-awaited live CD, Volume 1with many more to come.
Connecting with fans is always the primary focus of all of Spafford’s endeavors. They understand the importance of embracing those who enjoy and connect with their music. A fan was recently quoted saying “Spafford is what this world needs…a combination of all genres to connect all walks of life.” Whether stopping to enjoy fresh local food, or making connections with new faces in new cities, Spafford continues to push forward with their goal of changing lives, one show at a time.
Venue Information:
Brooklyn Bowl Las Vegas
3545 Las Vegas Blvd. South
Las Vegas, NV, 89109
http://www.brooklynbowl.com/las-vegas/

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