Break Science Live Band

Brooklyn Bowl and Live For Live Music Present

Break Science Live Band

Jaw Gems, Chris Karns

Saturday, December 17th, 2016

Doors: 6:00 pm / Show: 8:00 pm

$20.00

This event is 21 and over

Tickets for 12/16: Click Here

Break Science Live Band
Break Science Live Band
Raised and influenced by the rhythm and culture of New York City, Adam Deitch and Borahm Lee fuse generations of the city’s rich musical legacy with their own deep-rooted connection to hip-hop heritage. Merging their production styles seamlessly, the duo creates a refreshingly original take on electronic music. The live show transcends expectations with Lee’s seasoned trip-hop/dub/jazz vibes on keyboards and Ableton Live and Deitch’s thunderous breakbeat style on drums.

This past summer, Break Science electrified the festival circuit with packed dates across the country, including huge plays at Spring Awakening, Detroit Movement, BUKU, and Summer Camp. Lee and Deitch also brought their captivating style to Electric Forest, Bounce, Camp Bisco, Hornings Hideout, Electric Zoo, Summer Meltdown, and KahBang festivals, as well as joining Lotus at Red Rocks Amphitheater in Colorado.

On October 2nd, the duo released their much-anticipated new album, Seven Bridges. The first single, “Who Got It”, features a collaboration with hip-hop legend REDMAN and meshes the classic sounds of hip-hop with cutting edge electronic production.
Jaw Gems
Jaw Gems
Electronic outfit, Jaw Gems, is a Portland, Maine-based collective of young, experimental producers bringing beat-music—traditionally programmed and played on samplers—to a live band setting. Combine legendary beat-makers like J Dilla and Flying Lotus with indie rock and electronic icons like Deerhunter and Washed Out, add Radiohead’s dreamy ambience and you begin to approach what is Jaw Gems.

“Dilla is the common thread for how we all met and how we began playing together.” Says keyboardist Hassan Muhammad. “Not many people in Portland knew about him seven years ago, so through various friends we were all pointed out to each other and we were blessed with the opportunity to hold a weekly residency at a bar, playing all the stuff we liked and getting increasingly weird.”

Since their start in 2009 the band has been exploring sonic and rhythmic ideas that emphasize interlaced melodies and heavy grooves. First outfitted solely with dueling vintage synthesizers, a drummer, and an electric bassist, Jaw Gems have now incorporated a Roland sp404 and the Juno 106 analog synth, going on to employ the beat-repeating, sample-warping technologies of the present to help create their wall of sound. Armed with new gear, Jaw Gems were able to evolve their beats, trigger intricate samples, and alter sounds in an increasingly advanced way. “You can do so much with these devices and we all have our own ways of using them” muses Muhammad.

This August, Jaw Gems will release their second album, HEATWEAVER via STS9’s 1320 Records. The 14-tracks create a thickly-layered transcendental auditory world—a meticulously crafted collection grounded in a modern electronic aesthetic. HEATWEAVER melds neck-breaking hip-hop, bright synthesizers, and nostalgic atmospheres, while simultaneously touching on elements of psychedelic funk, neo-soul, and punk-rock.

Jaw Gems’ likes to keep their recording relaxed, and their creative process diverse. Setting up shop in a makeshift home studio, the band hunkered down and let their songs come to life over the span of a week. “We like to make a retreat out if it” says drummer DJ Moore. “Making music is how we chill, and the album naturally unfolded once we were all committed to being in the same place together for some time.” The title itself came from thinking of the album visually. “We thought abut what images the music evoked throughout the whole process, and when “heatweaver” was said it was something we all felt embodied our sound.”

Put four beat makers in a room together for a week, and the pour-out of ideas could be endless. “As we develop as individual musicians each of our sounds morph and evolve in different ways, so when we come together to record we all bring something new to build upon.” (Moore.) In this case, Jaw Gems was left with a solid compilation attesting to their evolution as tenacious genre-bending producers. “Jaw Gems have done the magic trick of delivering a thoroughly listenable instrumental album that you can also sing along to” says electronic musician Daedelus.

Perhaps it’s this uninhibited sound that has also attracted the likes of other notable musicians: T3 of J Dilla’s Slum Village calls HEATWEAVER “mad fresh.” Lettuce drummer, Adam Deitch says, “The swing that J Dilla made famous on an MPC beat machine in the late 90s is embedded in Jaw Gems’ musical DNA, just as much as soul and funk.” Lyle Divinsky of Colorado’s The Motet has declared them his “new favorite band” and describes their sound as “a completely unique brew of hip-hop, jazz, funk, avant-garde, and classical music, steeped in originality and psychedelia.”

Since the release of their debut album, Blades Plural, Jaw Gems has gone on to share stages with icons such as STS9, Lettuce, and Daedelus. Stay tuned for a full tour announcement coming soon.
Chris Karns
2013 Vh1 Master of the Mix Finalist ~ 2011 DMC USA & World Champion ~ 3x Red Bull Thre3style Winner ~ Few artists who identify as a producer and DJ have as impressive a resume as Chris Karns. Trusted by some of the biggest names in music to set the stage on fire with his blazing turntable skills, Karns is following up a World DMC Championship title with a starring role on VH1's "Master of the Mix" and a packed schedule of party rocking. Karns has enjoyed an undeniable reputation long-sealed by his on stage and in studio work with some industry heavyweights like Yelawolf, Bun B., Kid Rock, Paul Wall, Bassnectar and Travis Barker. This is not a man who gets on iTunes, downloads a few hits and calls it a day, but rather an accomplished master of his craft.

At a time when the word "DJ" no longer carries with it the weight of a once vibrant vinyl culture, it's a relief there are passionate and talented artists like Chris. Since his early days inspired by his musician father and learning to scratch on a $20 belt-drive turntable, he's rocked countless overseas and American tours, and has played everywhere from Los Angeles to New York, London to Tokyo, and everywhere in between. Since being honored with the highest possible battle title and becoming DMC World Champion, Karns is now known as one of the fastest scratchers and beat jugglers in the game, incorporating drum machines and other components into sets stacked with raw energy. When he's in front of insatiable crowds weaving together a versatile set of hip-hop, house, trap and more, Karns obviously a natural entertainer who's set the bar high for himself and his contemporaries.
Venue Information:
Brooklyn Bowl
61 Wythe Avenue
Brooklyn, NY, 11249
http://www.brooklynbowl.com/

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